I still don't understand the logic of sending a black man on a mission into Nazi Germany (except a television network's demand for diversity, which is admirable under most circumstances). Fine, he's the only one who can operate the time machine. Like it's impossible to train anyone else to do it. Or if you have to…

It was 1944. Who wasn't?

I will call him MacGruder.

Not sure how this premise can stretch past a few more episodes.

I didn't think about Trump once during this episode. Even now, I see zero connection between a consensual relationship between two adults and a serial harasser abusing a series of women sexually.

Absolutely.

I kinda dig that podcast, though the host reminds me of The Chris Farley Show.

These bleeds? These fuckin bleeds right here?

That's the only kinda Coke I like.

All Burt fans know the only acceptable entree with a Dr. Pepper is a Diablo sandwich. And make it fast, 'cause I'm in a goddamn hurry.

Take that piece of shit back to the junkyard ah hahaha!

But it also made me wonder why they would send a black man back in time anyway. It would seem that dealing with the problems arising from period racism would get in the way of the mission at hand. As unfair as it may be, why bring extra trouble — and extra attention — upon themselves by bringing a black man along to a…

Nobody here saw NYPD BLUE?

You're not intimate with the SLIDERS universe, and you can live with yourself?

How's Baldwin's Arthur Godfrey impression?

Jane came to work, did her job (well), and went home. She seems to have been that rare kind of comedy actor: one without insecurities.

27 cast members, and Michaels has to bring in outside ringers to play Sanders and Trump? Can you imagine 1976 Michaels bringing in actors to play Carter and Ford? Can you imagine the Not Ready for Prime Time Players putting up with that?

Tell that to Perry Mason.

I'm curious. Did the episode you watched not have credits on it?

(slaps dollar bill on the counter)