This just means they are adding more episodes of Teen Titans Go! onto the schedule.

Every show I get more and more convinced that the only thing that can save Saturday Night Live is for Lorne Michaels to be completely out as producer. And by that I mean his replacement has a free hand to make whatever changes he or she deems necessary without Michaels being able to veto them.

Come on now, It’s Pat has grossed . . . roughly 5% of another hot 1994 release, Car 54, Where Are You?

According to the author, “Saturday Night Live’s early ’90s cast produced plenty of stars” like . . . Julia Sweeney. We now know that Carr comes from an alternate dimension, where It’s Pat: The Movie was a runaway, generation-defining hit.

“Saturday Night Live’s early ’90s cast produced plenty of stars: Adam Sandler, Chris Farley, Chris Rock, David Spade, Norm Macdonald, Julia Sweeney, Tim Meadows, Sarah Silverman, you know the names.”

I imagine Murray was a huge fan of uhh...making copies guy.

He clearly wasn’t as important. Less “hated me less”, more “noticed me less”.

Sure he hated you less, Rob.

As a TV show, it was the modern Police Squad. So logically that’s who should have gone on to make the movie.

Good thing OJ Simpson is still around to reprise his original role!

Just because the name Liam Neeson kinda sounds like the name Leslie Neilsen does not make this a good idea at all.

Thank you for reintroducing coverage of Don’t Worry Darling. You can’t just give 46 articles one month and then deprive me the next. I want total coverage all the time! For instance, what does Florence Pugh think of Olivia Wilde’s make-up and hair in that photo?

absolutely loved the show. thank you to everyone involved including former jez writer kara brown! proud!

I agree that Jen defying and retconning a cluttered, predictable ending leads to a cluttered, rushed ending instead, but yeah overall I forgive it. Skewering K.E.V.I.N. and the algorithmically-designed finales earned this episode a LOT of goodwill for me.

Blonsky should have been either in on the Intelligencia, or…

I think this is where the disagreement lies. One can look at today’s environment as no different from the normal ‘entertainment is a business’ idea, or one can be on the other side of the fuzzy boundary where the financials are exerting disproportionate influence over whether or not a movie gets made. I’ll say…

Totally. I think a lot of Marvel fans are frustrated by the push-pull between the storytelling and franchising within these movies. But while they understand the problems come from studio pressure/input, they still get defensive when someone outside the fan circle levies that same criticism.

I also get the sense that he’s disgusted by the *audience’s* internet-driven preoccupation with the numbers.

He acknowledges the need to charge some money, but bemoans the studio/distributor/non-artists desire to make as much money as possible instead of being content with making a little bit of money. What I am saying is that people have been profiteering off artists for much more than 40 or 50 years. Hollywood got actors…

Meh, I think a lot of people will resort to jokes about grandpa yelling at a cloud because the message is coming from an old-guard Boomer, but I bet there’s a lot of agreement with the general message, so this doesn’t feel controversial. Consideration for receipts is why you have negotiations over final cut. And most…