There’s been a few shows that haven’t been outright cancelled, but a renewal has not been acknowledged, so we can just assume their cancelled.

Good news!

I think it’s because these projects were developed under the home video division rather than the areas where bigger cuts have been made.

I watched all of Big Shot last fall. It’s perfectly watchable, but nothing truly stellar. The whole second season being added at once was probably not a positive sign.

The only reason I can think of moving Haunted Mansion up is so they can put it on Disney+ in October.

This the first I’m hearing of this show and it’s already on season 3?

I mean, if she was, that drawing wouldn’t exist nor would she have the jewel?

I just saw it last night; I really liked it. I was genuinely surprised by how much humor there is in it.

K, I really enjoy this show, but let’s not pretend like this aspect is the best thing ever. We’re only like half-way through season 2? Seems a bit early to call anything.

I won’t act like the OG Barney costume is some work of art, but there’s something just...off about this CGI thing.

I’m glad the Puppy Bowl exists; a great use of counter-programming.

Because they have only 30-60 seconds to spare, and trailers are at least 2 minutes usually.

TL;DR: we know nothing.

It’s mostly good finality to Woody and Bo Peep’s characters; every other regular character gets pretty much nothing to do. Buzz is more prominent than the others in the gang, but his subplot is really dumb.

See, I was fine with the direction they were already doing: the trilogy was done, but the characters can keep doing shorts and specials.

Toy Story 4 was pushing it in terms of sequels, but it was okay enough. One more is too many.

Discovery’s mindset seems to be “We could afford to buy you ‘cause we must make more money than you therefore our programming must be much more popular.”

I watched only one and a half episodes of Velma; changing the races of certain characters is not an issue at all, really. It’s the material given that’s the problem.

I never got into @midnight despite the copious episodes my friend had me watch. It felt like lazy improv from the celebrities; just because you have funny people doesn’t mean you’ll get their best.

They just closed one of my local theaters. I was never there at a packed house, but tickets were either: $8 for nighttime screenings, or $5 for matinee and all-day Tuesday. It was nice that it was so cheap, but with not *that* many people, it’s not hard to see why it couldn’t sustain itself.