SCTV and ostensibly every other sketch show also has the benefit of not doing a live show every week. There’s a lot more time for them to refine sketches, and do more than one take of stuff. 

This series reminds me a lot of the Venture Bros., only they don’t have to make up any wacko, non-copyrighted versions of well-known superhero characters.

Oh yes, a lesson in what real comedy is from the “makin’ copies!” guy.

Whelp, that’s better than doing that “Fake Shemp” thing they pulled in the back-end of last season.

You did miss the point.

To put on the best damn performance of The Wizard of Oz ever!

I think it’s her literally and figuratively piecing together a puzzle.

They haven’t even shot any new Whose Line since before the pandemic. All the “new” episodes from the last couple of years have just been made from material unused from previous taping sessions.

Rosie the Robit on a Jetsons reboot.

I wonder if dodo tastes good.

I totally didn’t catch on that Marwa coming onto Gulliermo was part of the “likes everything Nandor likes” wish.

Wake me up when there’s a countdown clock for the Venture Bros movie.

Well, she was only involved in iCarly and Sam & Cat. Who knows what the cast of Zoey 101 or All That have to say as well.

“We’re doing a piece to camarUH” - file wonderful Great Matt Berry line readings

Why monkey with the streaming platform people like (HBO Max) instead of the one less people probably use (Discovery+)?

Fingers crossed Marcel the Shell With Shoes On also crossed that threshold.

I like the season 2 premiere where they get split into different potential outcomes. Could have been a Futurama plot.

I have wondered if people behind shows that are actually real were displeased that a concept album beat them for that Grammy.

And it’s limited on kids’ content, I think. I used Peacock to watch all the Garfield specials a few months ago and there’d only be one 30 second ad in the middle of each.

First Seeso, then Qubi. Outlook isn’t so good for Peacock.