Or the one where Hank smokes weed and ends up accused of murdering Buck's girlfriend and leaving her corpse in a dumpster behind Sugarfoot's.

"long, winding conversations"

Also: "Sweetos"? The hell?

Yeah, we certainly wouldn't want, y'know…. conversations and community developing that bring people together and are arguably the only reason to click on the 98,443 "Great Job, Internet!" misfires in the first place.

Where's the ass on this thing so I can kick it?

Well, from what I've read it declined mainly because Judge and Daniels kind of wandered away to work on other things near the end. I think if both of them are committed to a single season there's plenty of hay to be made.

I watched Z this weekend, having loved the book; while I thought it felt a little bit thin (comparatively, and somewhat understandably) I thought Hunnam did a great job, and the ending was absolutely pitch-perfect and haunting.

At the risk of being hopeful, I think that having the Klingon characters/scenes performed entirely in Klinzhai (NERD ALERT!) is a good idea; I know, for example, The Americans uses it to great effect with the Soviet characters/scenes, and it really does help convey the "otherness" and mystery behind motivations and…

I'm not entirely sure "Good Job" is the appropriate expression to use here, AV Club.

Mom and Dad sounds AMAZING. I dearly hope Cage and Blair set their Overacting Engines to 11.

Dammit, this makes me unreasonably happy to see Burnett again, even if I'd have preferred something that didn't immediately strike me as a show I have otherwise no interest in seeing. Good for her, though, she's a national treasure and deserves to do whatever she wants.

Agreed on all counts.

What the hell? This is like the ONLY place I like the commentariat and writing enough to comment and check in weekly on pro wrestling. There's legitimate discussion here, with the trademark AV snark that gets me through the day. You guys and gals will be missed, oh it's true. It's DAMN true.

I'd still rate Goldeneye as the best Brosnan, but that's in no small part due to what a hit of rejuvenation it was after the debacle that was License To Kill. A compelling villain, colorful bit players, massive setpieces, and enough tweaking of the familiar elements without degenerating into outlandishness. I still…

I long ago reconciled myself to the idea that 80% of Bond films are mostly bad and overlong, and learned to look for spots of fun or ingenuity here and there. Bowie would have at least made, say, Tomorrow Never Dies bearable.

I hadn't thought of that, but yeah - I totally see it!

I really wanted a David Bowie villain turn in a Bond film.

I have it on good authority that at least 30% of rom-coms are set in Generic Midwestern-y Small Home Town Lately Returned To By Our Otherwise Big City-Residing Hero(ine).

What the living fuck.

I kind of want to make a ringtone out of Jericho's "Quiet. Quiet. Quiet. QUIET. QUIET. QUIET!"