He means all of them.

I used to warn old folks who were buying Yeah Yeah Yeahs Fever To Tell clearly because they'd heard "Maps" on NPR. Eventually I stopped. Let em get their minds and eardrums blown.

I had a mild interest in seeing this, but yesterday I saw a commercial that used night-vision footage of audiences being startled. That seems to be a clear indicator of a crappy horror movie.

Did they even exist outside of Marvel Zombies?

FrankenCastle remains my go-to Remender insult. So much so that it comes up on my autocorrect before "Frankenstein" does.

ax-II-s

Secret Wars II 2.

I'm not sure I can crack that code, AA.

With the other guy? And those other things? I love that one.

First time I saw pee-wee playing doctor with reba as an adult I was like WOAH

"Fahhhk yooooo, ya uppity bitch!"

Spoiler alert: Slave to the Grind is awesome.

All of S? But then what will we do next week?!
CDs I own that happen to be on my iPod today:
The Sadies
Sage Francis
Sahara Hotnights
Samiam
Saviours
Scissor Sisters
Scissorfight
Jill Scott
Gil Scott-Heron
Screaming Trees
Seaweed
Sebadoh
Secret Machines
The Secret Sisters
Sepultura
Shampoo
The Shangri-Las
Shellac
Shooting At…

Quite frankly, this being A24 is the #1 reason I'm interested in it. (This trailer didn't thrill me)

You really Britta'd that one!

With T2 and Aliens, he basically removed the horror elements for straight-ahead action movies with sci-fi trappings (more like Predator, for example). I find T2 particularly aggravating as he took all the rules that he himself established and punched holes in every one of them in favor of spectacle. What I find…

I saw "…With Feeling" last night. Easily one of the best rock docs I've seen in years, and a top-10 films of the year contender.
Highly recommended, assuming you already like Cave's music, as that's about 40% of the run time. The rest is him and his family and friends working through their grief. Stunning.

Hot take: James Cameron made sequels for Terminator, Alien, and First Blood. All three were entertaining and financially successful; all three missed the point of what made the originals great.

Dropkick used to cover The Clash and The Pogues all the time back in the day! Really got me into both bands.

If nothing else, Janie Jones should be the lead off track.