lovelybones--disqus
Lovely Bones
lovelybones--disqus

That pencil went into his eye.

Oh, I misunderstood, I'm sorry. Forgot the airing order because I thought they were talking about the Greg the Babysitter episode. We Need To Talk is one of the other rare Sugar-boarded ones.

It's actually worse than that. The characters somehow survived the entirety of the Ice Age, which was thousands of years, the first movie being about the start of it and the second about the end of it, then they had this Journey to the Center of the Earth diversion where they found dinosaurs still alive beneath the

No, I checked, the rule changes resulted in it being classified as a drama for the second and third seasons. And the third season's only nomination is for Casting, which is really weird. Mad Men leaving finally got our beloved Americans in, but Orange gets shoved into the slot of having Homeland, House of Cards and

They submitted S1 as comedy and the rest as drama, didn't they?

I honestly was unaware about Janeway, but it doesn't surprise me at all that Voyager ran into the same thing as Geordi did in TNG.

This should be far enough that someone else won't see it, if you don't see my message on the TI anytime soon. Who do you choose for your night action in Wolf?

Hey, I just sent you a message on the TI regarding the game we're playing, you were offline by the time I sent it you. Just respond to me there whenever you can.

Why do you think he's a wight rather than an Other/Walker?

Fair enough, but I wouldn't agree about the trajectory or their investment in the Walkers as characters. And if it's Coldhands who rides in to save them next week and they're more explicit about his nature, that would be the moment that could perfectly demonstrate where this lands. The strong implication at present is

I always assumed that assassin intentionally got themselves in that position to get close to their target, whoever they were.

I don't think it suggest that they're amoral automatons at all. The leadership structure we've seen before (Night's King at the top and his dozen or so subordinates in the scene where he turns the baby in season 4) imply an established society to some degree. My instinctive conclusion tells me that it was never the

The Walkers turned on the Children and forced them to help humanity to survive, likely when this happened the first time.

Yeah, the Walkers clearly turned on their asses.

As status quo-y as Bucky being refrozen was, I appreciated it on a character level as the convergence of Bucky and T'Challa's arcs, Bucky taking active responsibility for his actions in a way that protects him as a fugitive, if he can't have a proper redemptive arc with the world hating him, while T'Challa not only

Slavery's already illegal in Westeros, though, at least in name. To me, breaking the wheel is a complete shift in the system, and a sign that she's grown enough to believe that any one family should not be elevated, including her own, due to further exposure to class system issues.

But in the prep school flashbacks he was 13, he was shot when he was a freshman in college.

I'm with you on that, I love the more dramatic parts of the show and it still does them well as shown by the prep school episode, so some catharsis for that, in addition to the irreverently executed closure for the Barry plot in the past two seasons, would be nice. It's possible that the closest we'll get to resolving

Yeah, as talked about right below, it is supposed to be roughly in real time relative to each movie's release.

The most frustrating thing is that Jakku has a distinctive narrative role/value that isn't included in the movie at all. Never have I wanted there to be more exposition in a modern blockbuster.