It's chaw.
It's chaw.
But that's who Locke was from the start.
In an absolutely awful season of television, that managed to be a worse follow up to a show that was never really good in the first place, by far the worst thing about it was that they killed off two of the three new main characters, and made the most annoying one immortal.
MMM WHATCHA SAYYYYY
Walter's actions had stopped being reasonable way earlier in season 2.
Plus that even if it's obviously very relative, Namond was by far the richest of the four kids, and that did give him access to opportunities they lacked.
I'm a huge fan of the serial killer arc, personally, but I do have my criticisms of the journo storyline.
Which is my biggest issue with the finale, the have your cake and eat it too of having both the completely happy/everyone's dead ending alongside Jack's final battle and death.
Lil' Butler that's yoooooou
Had this talk not that long ago when my brother joked about the "gritty reboot movie of his life." I'd go for Saoirse Ronan for when I am post-transition.
Actually, it was shot after this one. The original production/airing order was next week's, then this, then last week's.
I got the impression that it was a lot more optimistic than his earlier episodes.
I'll respect that and keep quiet, but I'm not a fan.
The movie probably condenses it a bit. She survived until a fourth operation in real life, and what Frost describes is what the fourth operation was for.
Part of the point of the ending sequence to me is that she makes a point of saying no to the prospect of moving into Carol's place. Teresz has grown into a more firmly independent woman with more control in her work and her life in general. Moving in would be a slide back away from the stronger woman that Carol helped…
I can never agree with this, even as someone not sold by the first couple episodes, because I really loved the S2 premiere.
I must be the only contemporary woman (or man) who actually likes that style.
Especially significant given that prior to these two straight years, people of color had been at least nominated in every year going back to 1997. 12 Years of Slave (deservedly) wins and then they can just start complete shutouts again?
Rewarding Danish Girl for anything is not a positive for queer cinema whatsoever.
I think he might've meant Robyn as a joke based on the description? That being said I mostly like Robyn, actually.