Robin Williams was also pretty fantastic as the bomb-builder in The Secret Agent. Actually, he was the best thin about that movie.

“I don’t live here; I’m just here for the ladies.”

She’s also called Grace on IMDB, so that might have done it.

Well, Slaughterhouse Five jumped around in time, so...yeah.

Hey, fun thing! There is a radio version:

The description of a trail of whisky as it travels through a car wreck in Hellmouths (“This is a terrible way to waste alcohol.”) was wonderful and allowed me to forgive pretty much everything else.

A Bride of Frankenstein, so to speak?

Teddy’s starting to look a lot like Charles Bronson. Like, the hair and all.

Maybe that desire to kill comes from Ford directly. After all, he’s the one who wanted the rando security guard dead.

Honestly, I was thinking about the “Heaven Sent” episode of Doctor Who, repeating actions over and over, being remade at the end of each loop, coming to the same realizations just in time to do it all over again, and the lesson lost and fought for each time...

“What does this look like to you?”

I was slightly annoyed at how much time we spend looking at Bernard’s face after he’s been removed. It’s like talking to someone’s car after they get out of it. He’s not in there anymore.

Considering how many times that child has probably died, letting her remember would be... No, let’s not do that.

There’s worse voices he could have done.

Buddy of mine says, “They sound like they’ve been dubbed over with Bobcat Goldthwait.” 

I was just thinking last night about what makes a robot a human and ghost stories and ears and HOICHI THE EARLESS, but he could hear just fine.

Also notice that Sakura’s collar in the final dance scene was red (maiko) while Akane’s was white (geiko).

That’s it. Zombie world. Just a giant indoor mall.

Maybe it’s for Japanese guests.

Yeah, but what’s he going to do with that radio\cell phone?