That episode is truly terrible. It’s like they watched every 80s film except Repo Man. And I was actually kind of excited that they were bringing in 80s punks.

Why do people keep talking about this “Chicago episode”? That never happened. There wasn’t an awful, pointless side-story episode in Chicago that ground the momentum to a halt and bored everyone stupid. Why do people make up stuff like this?

I loved that guy's mugger-in-an-80s-Frank-Miller-comic energy.

It feels a bit like they’re clinging to the 80s nostalgia, when (especially considering the show’s protracted production schedule) it seems another tack would’ve been to barrel through the years and sink their teeth into the relatively-untapped 90s nostalgia market.

Or they could just lean into it and cast Ben Platt as Eleven’s high school boyfriend.

Given the LA high school setting, I want to see Eleven doing Zack Morris’s Saved By the Bell ‘time out’ thing to freeze everyone and talk directly to the camera. But she’s psychically controlling them, and you can see the uncomprehending terror dawning in their eyes.

“It’s usually been to the big city of chicago”

The 90s man.

As a former President and national treasure, Martin Sheen deserves better than the children given him.

“Uhhh, what if the Mighty Ducks were... mighty ducks?”

From the great era of “Sure, I guess that can be a cartoon” television.

Well, if I’ve learned one thing from The Walking Dead, first we frantically amputate the arm, and eventually we’ll have to shoot you in the head when you succumb to the dreaded 5G.

I'm glad that this is becoming an easy litmus test for the actors who really shouldn't be getting any future work. 

All the more reason to scrap this endeavor and give us a continuation of the real Mighty Ducks:

I feel like this movie would’ve clicked if Faris was the lead. She’s way better at going broad and ridiculous than Bullock.

I’m only interested if Jason Mantzoukas describes the movie as “bonkers.” 

The Razzies always go for the easy target. 

The Razzies should have nominated her for The Blind Side instead. Instead of a easy target. 

The really baffling thing is there’s a scene of Mary on a bus explaining her whole stalker scheme, and everything about the way it’s presented indicates that our sympathy is supposed to be with the other passengers who are stuck with no escape as she annoys the hell out of them. How could the filmmakers have that much…

The biggest problem with this movie is that it completely forgot to give its characters any sort of motivation for anything they were doing. Mary seemed odd, but she had a functional life before she met Steve. Why did she give it all up to stalk him? Why did Thomas Haden Church encourage this? Why did her weirdo…