Reportedly they did bring Craig McCracken in. They picked him up outside his house, thrown him onto the back of a van, drove him to a warehouse, strapped him to a chair, forced him to watch the pilot while keeping his eyes open with the Clockwork Orange contraption, and then recorded his wails in an attempt to achieve…

then there’s the fact that all Ricks need a Morty

at a billion dollars, you should stop being paid for anything.

“I would not like to think that a person would tell someone he has a plethora, and find out that that person has no idea what it means to have a plethora.”

That surreal opening sequence set to “Sixteen Tons” is just incredible. The entire first act at the company is probably the best one. So maybe not so much a romance adventure movie the way I remember it.

trying to put the Rock’s face on some sort of scorpion-centaur at the end.

Re: female gaze. It’s true that Joan Wilder dictates the point of view in the script, but there’s still quite the amount of male gaze on Kathleen Turner’s legs in Romancing the Stone. Not that I’m complaining (those legs rank very high in movie history), it just wasn’t exactly the 100% empowering act we’d like it to…

Abraham Lincoln Vampire Hunter took itself super seriously?

Kathleen Turner in Romancing the Stone was my first movie crush. She had two antithetical screen personas back then: the femme fatale (Body Heat, then self-parodied in The Man with Two Brains) and the awkard heroine in way over her head (Romancing the Stone, Peggy Sue Got Married).

Alfonso Arau is a great filmmaker too. Like Water for Chocolate is a masterpiece.

ScarJo is rich as fuck already (net worth: $165 million). The fact that she INSISTS to get ALL the millions she was promised... blargh. I hate it.

Come to think of it, even Charlie Kaufman isn’t that much in the zeitgeist anymore, and Adaptation came out almost 20 years ago.

Man, if the ENTIRE episode was a National Treasure spoof, this would have been a solid D. :)

It didn’t help that Spaceballs would have felt very tired and unfunny even if it came out in 1978.

Seasons 5 and 6 of Community don’t even start to compare to Season 3, which contains stone cold classics often listed among the best of the entire run, like Remedial Chaos Theory.

I’d argue that we don’t need 70 episodes! If the creative team was going to be this hard up to make a good episode instead of a “meh” episode, maybe they should have ended it back then.

are people considering Mortiplicity and A Rickconvenient Mort not good?

Wasn’t the joke about how the bartender realized that he was actually racist after seeing a African-American-turkey hybrid?

Too many dudebro fans got mad at season 3, so they decided to dumb it down and just give that group what they want.

I feel all Shyamalan’s films are an easy B watch