kevinklawitter
Kevin Klawitter
kevinklawitter

Perhaps, but exaggeration of those tropes in the “that, but more” vein without commentary or meaningful criticism attached (even in a comedic manner) could easily be read as endorsement or more a parody of the style than the substance.

So pretty much all the stuff my coworkers at Adult Foster Care put on TV is going to be gone in October. Guess we’ll be watching more Hulu.

As far as gimmicky booze goes, I’d much rather go for the Orson Welles Merlot TCM is selling, or the Final Fantasy-themed wines The Wine House is coming out with.

He worked with Oliver Stone on both “The Doors” and “Alexander”, Ron Howard on “Willow” and “The Missing”, and Tony Scott on both “Top Gun” and “True Romance”.

The Deal? No. Queen Elizabeth isn’t a character in that movie.

Stephen Frears has only directed one movie with Helen Mirren as Elizabeth I, unless you count the National Theatre Live broadcast of “The Audience” as a movie, which is iffy to say the least.

Well, this year James Ivory wrote the screenplay for “Call Me By Your Name”

It’s rh the sort of movie that, on a technical level, is bad in so many unique ways that it helps you appreciate basic competency elsewhere, and on a thematic level seems to be torn out of the soul of a person simultaneously desperate to make a connection and unwilling to let anybody in.

It seems that since the number of articles published per day has plummeted following the Kinja switch, they have to stuff as much content as they can into each one, coherence be damned.

If previous reports are any indication, he’s mostly in the background and was hired to help keep Nic P. on track and avoid the stumbles he made with Season 2.

I can’t see why “Two men making an all-female Lord of the Flies” isn’t the headline here.

I think it’s just a distribution deal. The movie was an independent Chinese-American co-production that was lost in distribution limbo after its disastrous TIFF premiere before Blumhouse and the WWE came to the rescue.

I was looking forward to this movie for a long time, because Stephen J. Rivele and Christopher Wilkinson are typically good at the biopic game and the idea of tying the Bruce Lee/Wong Jack Man duel (which greatly influenced Lee’s development as a martial artist) with a fictional crime story sounded like it could have