That's pretty much how he did Tom Haverford's whiny voice.

Uh, point of order, but Thomas Schlamme was responsible for the walk and talks, not John Wells. Credit where credit is due.

The problem with the FTB stuff was that there didn't seem to be any mention of Julia going home or there being an online support group for her to join last episode. It feels like it needed one more episode of Richard introducing the the group and Julia getting sucked into their discussions before they were suddenly…

As a graphic designer, it's so weird to hear someone from a completely different profession just offhandedly mention they are into typography and make fonts in their spare time…making a whole font is pretty hard and time consuming.

So…"Jurassic Bark."

The problem with Amy's invention is…that it's actually amazing.

I'm so glad that this is the top comment as it's exactly what I wanted to post about. Thank you for not failing me.

Can you imagine how nice it would have been if the other human she encounters was just another woman and they became friends by surviving together? And Simmons wanted to go back to save her because…like, they were friends and it's a good thing to do? Anything other than "met a hunky plot complication and need to go…

Ah yes, a nice justification.

Two points for me this week.
1. I thought last week's episode was thrilling and exciting, with a powerhouse emotional punch. This week, though, being convinced from the beginning that this was exactly what would happen at the season's climax zapped some of the enjoyment from it. I know that sounds like a "I'm smart!"…

I'm actually pretty relieved this show isn't on HBO as it seems able to operate without the baggage "needs more sex and violence" that HBO pushes lately. Adding sex and violence to Mr. Robot would really take away how clean and focused it is on it's story.

I'm fairly sure that interview states that the sequel will focus on Vinculus and Childermass a few years after the first novel's finish. I don't see anywhere in there that it would focus on their early lives.

The opening robbery speech about the bank's money and walking on the counter is pretty clearly cribbed from Heat (not to be confused with The Heat), so mentioning Tarantino instead of Michael Mann is a bit strange. Not for nothing, but Nolan also evoked Heat (although in a more subtle way) in the opening of The Dark…

My first thought was: something worthwhile came out of TWD's popularity after all. Kim Dickens rools, Walking Dead drools.

Kids being the face of evil or gods is such a sad trope. A definite let down. If they wanted a relative unknown face, it should have been Claire, the young puzzle girl from "Nautilus." She does join Samaritan in the end, after all.

Can everyone come together and at least acknowledge that this unfortunate show gave us the possibility that Jane Fonda will get some kind of new fame out of it. Give her a tough as nails show to command.

Bear, Root, Shaw, Fusco, Carter, Finch, and Reese consistently A-level grades but don't crack the 35 or the alternate list. Very odd. Perhaps AV Club is saving it for a very special MVPOI award.

Agreed on length vs speed. I think it's because he just doesn't let up, it's constant plot.

Where is Person of Interest? Bear will be mad.

Really glad to see Words of Radiance on here. It's a doorstop to be sure, but a really satisfying fantasy novel on it's own, even without the previous book (or even without the subsequent 8 novels to come). The payoff climax is well earned.