I have a soft spot for The Money Pit only because it's the first movie I ever saw by myself, all alone, in a theater. That said, it's not a good movie.
I have a soft spot for The Money Pit only because it's the first movie I ever saw by myself, all alone, in a theater. That said, it's not a good movie.
Don't forget You Can Count on Me.
Place on Microwave-safe Dish
I remember seeing Love Is Strange a couple of years ago and thinking, "Who is that guy playing Marisa Tomei's husband? He looks vaguely familiar." Yep. Ed Chigliak.
Probably right - The Next Best Thing was one of the most incompetently made studio features I've ever seen. That said, I'd like to see AV Club do a primer on Schlesinger. His output was all over the place.
I'm trying to think of other directors who were once legitimate, Oscar-worthy auteurs, then inexplicably sank into forgettable trash. The only one who comes to mind is Roland Joffe, who went from The Mission and The Killing Fields to Mischa Barton vehicles.
My favorite is the "Gilligan Cut". To wit:
They shall be watched solely on Kinetoscopes!
The only woman who schtupped Hitchcock was Alma. And that was just the once.
I saw the movie in a theater about 10 years ago and when Cotten turned to the camera and said "Are they?" a woman in the audience genuinely gasped with fright.
I find the Carrie part of Portlandia far less annoying than the Fred part.
I've seen at least 15 Kurosawa films, and I love most of them, but Ran left me cold. Go ahead and downvote me in your minds. But if anyone feels the same as me, just know that you're not alone.
The real reason she regrets doing Pan is that her agent agreed to backend points instead of a flat $500K upfront.
They are going to superimpose Dan Castellaneta's mouth over Homer's face, Clutch Cargo style.
She might, and he could, but I'm betting the series won't end with her in misery. If anyone deserves a happy ending, it's Edith.
The one with the Balthus painting is the most fitting, in my opinion. Not only because it forces you to question your own feelings about the image, but also because Balthus didn't paint it for the cover, so it's clearly not the case of an illustrator trying to interpret the story or visualize the character. And of…
The look of pure innocent joy on Hugh Bonneville's face when he first sees the puppy was both hilarious and adorable. Mommy got her little boy a doggie!
Love that image of her curled up on the couch with Bertie. Such a stark contrast to the stiff faceoff between Mary and Henry.
Also the venue for the 12th and final GOP debate.
A SHIT STAIN walks in. No, wait - it's JROSE.