Today, we look at the year that gave us works by Edgar Rice Burroughs, Arthur Conan Doyle, and Hugo Gernsback — does 1912 deserve to be crowned the Best Year of Science Fiction Ever?
These days, SF thrillers in which natural disasters end human life as we know it are mainstream fare. But long before M. Night Shyamalan and J.G. Ballard flirted with disaster, the authors of SF's Pre-Golden Age (1904-33) speculated wildly, and sometimes presciently, about the possible causes of dire biospheric…
Paving the way for Vulcans, Slan, Espers, Professor X and Babylon 5's Lyta Alexander, SF writers of the Pre-Golden Age (1904-33) dared to imagine how normal people might react if telepaths were discovered among us.
Long before Alan Moore asked "Who will watch the Watchmen?" science fiction writers of the Pre-Golden Age (1904-33) worried whether supermen would rescue us ordinary mortals - or try to dominate us.
During science fiction's Pre-Golden Age (1904-33), writers dreamed up mechanical and quasi-organic humanoids so compelling that they continue to haunt today's scifi, forcing us to ask what it means to be human.
Click to viewSome of the most gorgeous, evocative, and strange science fiction art you've ever seen comes from the covers of novels written between 1904-33, in SF's "pre-Golden Age."
With Wall-E director Andrew Stanton working on a film based on Edgar Rice Burroughs's 1917 novel A Princess of Mars, you need a crash course in books from this seminal era in science fiction.
Earlier this year, I formulated an eccentric but strict periodization scheme, in which the Nineteen-Oughts (not to be confused with the 1900s), for example, run from 1904 through 1913; the Teens (not to be confused with the '10s) from 1914-23; and the Twenties (not to be confused with the '20s) from 1924-33. And so…