You know about the despecialized versions, right? They get you NEARLY there.

You're out of your mind. It's the best Star Wars since 1983.

Apologies for being unclear. What I'm saying is, once she's taken the role, what is there to discuss? Why call Cho? The deed is done.

You can see it in the lifted cuts, on one of the newer discs.

Who call him "Wormie," which I love. Issues much, George?

Then why did I keep getting all choked up?

The only discussion is whether she accepts the role or not.

Newton was a little more innovative. Tricks like the scene where she crashes because she's watching her decision tree fail, took the performance in directions that ERW never really got near despite all her emoting.

So this guy is so fucking stupid that when "Love" and "Death" and "Time" show up he believes it's really them?

Fizzbin! Love it.

Everyone picks on Never Let Me Down. It's a much better record than Tonight (which came right before it) or all the Tin Machine nonsense (which followed). And it's got Peter Frampton on lead guitar, and a rap by Mickey Rourke.

I'm the only one who got the joke

Keira Knightley needs to get out of her spiral of playing wives (Jack Ryan Shadow Recruit) or muses (Begin Again) or both (The Imitation Game) and get a real role like she had at her peak in Atonement and all those Joe Wright films.

His line reading of "against the grain; always against the grain" (giving sarcastic shaving advice to Carl) drove me nuts. You don't have to say everything that way, Jeffrey!

You just never know what you're going to get, I guess. I mean the girl from Mad Men turned out to be amazing. I just re-watched The Sopranos and it's really impossible to tell from the very beginning how the two of them will turn out—at first it seemed like Jamie-Lynn Siegler was better, but by the end Robert Iler was…

I thought ol' Chandler Riggs managed to pull off a pretty good lopsided smile when he and Enid finally were reunited. I mean, it wasn't Harrison Ford but it was respectable. Good for him. (Usually he's wandering around like he took too many Percocets.)

It was such a shitty maneuver how Jesus gave them this whole utopian "Your world's about to get a whole lot bigger" speech without bothering to explain how every single other community in the vicinity was indentured to the Saviors against their will.

It's because we're really, really, really smart—much smarter than you can ever hope to be. You're like a Newtonian puzzled by Einstein's ideas; like Edwardian critics staring at Impressionist paintings, stupefied. Like Xerox executives baffled by the "computer mouse" prototype. You don't get it, is what I'm saying…you…

Al Gore? He's usually pretty reasonable.

Agreed. (And, the Aaron scene was awful—an embarrassment.)