Goebbels' diaries were interesting, particularly as Hitler started piling on fuckup after fuckup in the later years. It was basically a lot of "Dear diary. I would be totally stoked right now if we had a great fuhrer, but instead we have this crap fuhrer."

Yeah, I don't know why she felt the need to dress as a Napoleonic artilleryman, but it was off-putting.

Time to burn the Caravaggios!

That plus his last special being in black and white made him look like Boo Radley.

Like Don Cheadle's Miles Davis biopic?

My girlfriend of three years and I saw it together for our second date. We were both enthralled, and talked about it for weeks.

Upstream Color wasn't even nominated in its year, and it had some of the most interesting sound design I've heard in years.

Nearly every one of Refn's recent films has jarringly horrible dialogue. It has to be intentional, but I doubt it's getting the effect he actually wants.

I had a great samosa in Paris, bought from a Somali street vendor. The way food travels is just incredible.

Christopher Walken? Tim Roth? Michael Shannon?

I'm so happy someone mentioned this movie. It's probably my favorite of his, being more in the vein of the Bronte sisters than Poe. When I was young I also thought that Gene Tierney was the most beautiful woman I'd ever seen.

Jessica Jones didn't have enough material to really cover more than about 2/3 of its episodes, so while Luke Cage should have ended with Cottonmouth (instead of the cringeworthy Diamondback mini-arc) where it would have been just fine, JJ spent multiple episodes prior to a decent finale wasting everyone's time with…

Honestly I feel the exact opposite about the qualities of the respective shows. Jessica Jones was mediocre at best (seriously, the attack of the support group has to be the single most idiotic scene I've seen in a very, very long time), and while Luke Cage fumbled in the back end, it at least attempted to create a…

"Sanctified" has held up really, really well in its live version. Helps when you have motherfucking Pino Palladino on fretless bass and two soul singers on backing vocals. Goddamn.

She's interested in commenting on celebrity and artifice and manufactured stardom, which at the very least suggests she's clearly aware of what's happening in her career.

I would love for Ulver to score a Lars von Trier film.

Along with Gustavo Santaolalla!

There's definitely always been a cinematic quality to her work. Plus she said that she composed one of her early albums using a keyboard to score disney films.

Porcupine Tree's Deadwing album was intended to be a score to a film Wilson couldn't get made. An awful lot of his solo work would be absolutely perfect for film.

Geoff Barrow did score Ex Machina, though it would be nice to have the full band in on something.