A little weird how the show seemed to build Jason back up again in the last 2 minutes, and that no one really cares much that the Farrellys are gone. Just like real Hollywood!
A little weird how the show seemed to build Jason back up again in the last 2 minutes, and that no one really cares much that the Farrellys are gone. Just like real Hollywood!
Weird, I thought the name "Family" was also part of the terms of the sale.
See, I just thought Whedon needed an outlet for sarcasm in the script and Ultron was the only one with enough lines
Your opinion is flawed because you are desensitized to flaming piles of shit.
There was a screening this weekend at MondoCon of a doc called Toymasters, allegedly about who created He-Man, but it touched heavily on this movie and echoed the same points. Goddard seems like a cool bro, and he was pretty not happy with casting Lundgren because he could barely speak english
She was better than Hal Sparks, that's for sure. But John Henson was gold, too bad he died in launchpad fire when he tried to take comedy to space (presumably)
Fallon seemed like a reclamation project of Lorne Michaels. The ROI on him has to have been huge
Yeah Ellen DeGeneres essentially runs a late night talk show in the afternoon and has been extremely successful. But for some reason, late night is still the prize.
Yeah I don't really understand it either, outside of the kind of easy culture war conversation it provokes, especially since it usually starts out as "oh, another white man!" that then transforms into "oh, another man!" when someone like Noah is hired.
*yells at cloud*
I would assume it's on a Thursday because new movies tend to dominate the theaters on Fridays and Saturdays.
I hated the backstory stuff, and the random changes made. The most laughable being Michael Myers going from driving by Laurie and her friends on the street in a car to simply walking down the other side of the street. They still immediately start talking shit about him after he passes, but he would literally STILL BE…
Conan loves the talk show format, as evidenced by his love of Tonight, and I don't really understand why people here are pissed he didn't do something "different" after NBC paid him to go away.
I don't know that Conan is worse off being on cable, but his real competitive disadvantage is not crafting his show for maximum viral chunkage.
I think this was a big point in "The War for Late Night," that Fox courted Conan heavily in 2005 and offered way more money, but he was loyal to a fault to NBC and felt The Tonight Show was the epitome of TV. Alas, he was sadly mistaken.
Yeah, she was pretty awful, but Lauer came off like a huge dick after the whole thing went down
No. I mean all 3 of the RiffTrax guys seem to be stuck in the '90s a little bit when it comes to gay jokes, but I don't know if that's Mike's fault.
I love Thepumaman
True story: I met Munch once at a RiffTrax screening and was talking to him about how I had done some puppet work and we talked about doing some Torgo and Master puppets for his sequel, which he was apparently just making up on the fly. But it never panned out because his demands were sort of ridiculous.
Hey, The Martian is pretty great