Gawd, the pre-aged Sandra Bullock in Demolition Man… almost as hot as in Speed… Excuse me.
Gawd, the pre-aged Sandra Bullock in Demolition Man… almost as hot as in Speed… Excuse me.
Eh there's a lot of specific stuff in this universe, even if you don't count the excellent comic series that followed it (which you should). I don't really get how ambiguity serves it other than to let the filmmakers stuff some shit in they don't know the meaning of.
I'm happy to disappoint you.
Oh Reginald… I disagree!!
For real, Ridley
For real, stop it.
It's a good discussion, Ghaleon… but I think it misses one of Mizuguchi's central points in making the game, which was making a serious motion-controlled game. The guy's obsessed with synesthetics (hence there is, or was going to be, a feature to strap 4 vibrating controllers to your body to.. "deepen" the…
TFP?
Methinks Ten Foot Pole was on Epitaph, who had a significantly less homogenized sound than Fat Wreck Chords, and preceded them by (what seemed like at the time) a generation. Not the best example to use, Kyle.
True, but Silver Streak's not an overly complex movie, and in the 70's that was just a way of communicating how dastardly your villain was.