Unless the companies making all the Cars knockoffs have their plates full already.

Unless he means it'll put them right off the idea.

Talk about opposites.
Or at least a major pivot round the S. axis.

*ties doll up with lasso*

I guess one problem with the suit ending is that having a preconception about what Ares looks like is fairly necessary to make the subversion work, and I'm not sure quite enough people know enough Greek mythology to really have that.

The 60s rise of the Spaghetti Westerns and revisionist Westerns look like a sign that fatigue was already setting in for the traditional form.

I'd say the film's main fault is the tonal sandwich between the darker Winter Soldier/Cap vs. Tony plot that begins and ends the film, and the big fun brawl in the middle, though both are good in themselves. It juggles a huge number of character arcs really well, which bodes well for Infinity War.

They'll cross over in Generals and Monsters.

Since when does Superman need to dodge bullets?

I'd say seasons 4-8, and feel a bit more open to adding seasons earlier than that than later ones.

….that it's going to quote Peanuts in offbeat ways again?

It's on Trenzalore.

Though it's not been a common form in the US recently, has it? Large ensembles seem to be pretty much the orthodoxy, even in adaptations of things that didn't have them.

The flavour of pastiche in his work tends to be rather too strong, I think.

It's also a callback to 2013's docudrama An Adventure in Space and Time, where David Bradley played William Hartnell (and so, played the Doctor in some bits).

What, again?

Though then you could still have waited round Gjallerbru till he showed up.

Though Flash's "look at my nostrils" pose is more of a Gil Kane thing.

won a 2017 Eisner Award
The A.V. Club

They also represent a setting where everyone has superpowers, while early X-Men stories show mutants as a small scattering through the regular human population.