It's also got "Your mom's name was Sarah" followed two lines later by a sarcastic "So just like that, we're cool, right?" (and again, both of those are sensible things to say in context)

Playing a character who needs more explanation than "works for SHIELD" is one big reason to drop her further down the list than most of her castmates.

When Malick saw his death, though, he described how it felt. There was a logical reason for it not to be Daisy right there.

I rather liked SHIELD's approach to that, though — Ward's interactions with the other characters in early S2 that suggested that he was eager for his Grand Redemptive Arc, while they were all as disgusted by the prospect as you'd realistically expect.

Right, it was more like two decades.

It gets more play later in his run (which develops a grittier feel round about the era with Romita as an artist), though it might be the spin-offs that did as much to establish it as what the X-Men are all about.

Very early on, Mojo had an actual nightmarish quality about him. Soon as he started appearing in X-Men, though, the TV parody stuff took over.

I got better.

The x-gene coming from the Celestials wasn't introduced in an X-Men comic (it was part of a backup story about the Eternals), and X-Men comics have rarely seemed to actually want the whole idea.

I'll be interested to see whether and how they tackle how Cassidy develops in the comic — it might be difficult to make it feel fresh when everything about it is only a Google search away.

Miike's Harakiri is very close to the original, though in true Miike fashion he makes the most of the wooden-sword scene.

And in the case of Holmes, he started off as a modern-day character….

Despicable Me is pretty much a Mole Man movie.

She's also playing Tulip in Preacher.

Yeah, but a lot of those insults are actually meant to be for Sam Worthington or Taylor Kitsch.

Remember that the end of Season 2 also had them leaving, in a slightly less burnt-bridges style, apparently in order to set up a slightly earlier go at this pilot? It's been a drag on Agents of SHIELD's ability to work with the characters for quite a lot of their tenure.

If you're not specifically regional, you generally sound more upper class than most people have in decades.

To be fair to Crash, not that many people *are* that familiar with the problem of eroticizing car crashes.

It's out on DVD in the UK already.

But wait till you hear their rendition of "I've Just Met A Girl Named Clea"