It really is.

He can take it. He’s a hard guy.

I think it becomes mildly unbearable when you announce it ahead of time.

And if you want to advertise something as your “final” film just pull a Miyazaki and just do it anyways and then make another few movies 

How about he just makes this one anyway and we all agree to stop counting Death Proof? 

Make a dozen films Quentin. Dozen sounds way cooler than ten.

Just wait to you figure out the kind of fun you can have with Cox!

You can just make as many films as you want, you know.

Literally the only thing I remember about this movie is “The dishes are done, man!” line from the end of the trailer.

God, I love his delivery. “Is THAT how that works?” “It might be!”

I know a lot of people hated this movie but I’d still take it over Thor 2, Iron Man 2, and Inside. I know that last on isn’t Marvel, but I hated it. 

Generations aren’t real, man.

Michael Douglas had the best line in Quantumania: “I like ants.”

A bigger budget, while not a panacea, can certainly help a production along. That’s especially true for a sci-fi show, even one for which low-rent effects have been part of the experience for so long.

Came to say the exact same thing! The overall slickness of Doctor Who from Eccelston-onward (I realize it’s gotten even slicker in recent years) has kept me at an arm’s length from it, even as I thought the actors portraying the Doctor have been uniformly excellent.

As long as Doctor Who remains British I don’t care too much if they increase the budget a bit but it certainly doesn’t really get at the heart of what the show actually is & should be

I can understand why Davies wants to go big while he can before the door on big streaming budgets slams shut very soon and I don’t doubt he sincerely believes he’s doing it for the fans. Maybe it will bring in some new viewers and maybe older fans will get a kick out of it. He does seem to appreciate the ephemerality…

I didn’t get that last shot, and I think I even went back and watched it again at least once.

I looked it up once, and while I can’t remember the exact numbers, there were like ten movies using the found footage conceit released every year after the BWP for every one before. It exemplifies a lot of both the strengths and weaknesses of the genre, but it’s also one of those movies that had such a ludicrously…

Not having seen the show, I’m wondering - how well does this capture it?