The adventure still is the draw. But it’s pretty obvious how getting to know a companion over a season is a simple way of making a season-long arc pay off at the end. Arguably perhaps a bit too simple, but there are worse ideas.

Maybe I’m not savvy enough to understand marketing, but sending envelopes with creepy kids drawings doesn’t actually advertise anything, right?

Well don’t those people claiming it was “wOkEnEsS gOnE mAd” feel stupid now, eh?

Breath of the Wild expanded on what worked and abandoned everything that didn’t.

It’s a mess, and will only get worse.

Wasn’t Bryan Fuller the reason the first season was watchable?

In her Paris Review interview, Oyler specifically addressed the fact that you’re “not supposed to say” you have “a natural talent for writing and a unique relationship to language,” a self-identification that she called even more attention to by addressing it in this way. “[Y]ou’re supposed to say, ‘I am so lucky…

Either him or Ben Platt.

Then why does Sylvester Stallone save his acting only for interviews?

Music really does make anything better.

This is not how Coppola should end his directing career.

AI was the turkey all along!

Interesting. Any interview I’ve seen Stallone in, he’s always come across as pretty humble and down to earth, which surprised me considering his success and fame.

You’re right that you’re missing stuff.

I’d argue she looks like what Hollywood casts as a high schooler.

On one hand, it’s preferable to cast shows with people of the character’s culture/sexuality/disability/etc. if only to give more people more opportunities, but also because I’d argue it can provide some authenticity.

His current series of Travel Man is appointment viewing at our house. It’s one of the few shows we wished had a longer runtime.

Fair enough.

As long as he’s not like Matchbox, 20.

I was going to say that regardless of what you think of all of this, that is one lovely coat. Looks comfy.