Wasn’t Bryan Fuller the reason the first season was watchable?

In her Paris Review interview, Oyler specifically addressed the fact that you’re “not supposed to say” you have “a natural talent for writing and a unique relationship to language,” a self-identification that she called even more attention to by addressing it in this way. “[Y]ou’re supposed to say, ‘I am so lucky…

Either him or Ben Platt.

Then why does Sylvester Stallone save his acting only for interviews?

Music really does make anything better.

This is not how Coppola should end his directing career.

AI was the turkey all along!

Interesting. Any interview I’ve seen Stallone in, he’s always come across as pretty humble and down to earth, which surprised me considering his success and fame.

You’re right that you’re missing stuff.

I’d argue she looks like what Hollywood casts as a high schooler.

On one hand, it’s preferable to cast shows with people of the character’s culture/sexuality/disability/etc. if only to give more people more opportunities, but also because I’d argue it can provide some authenticity.

His current series of Travel Man is appointment viewing at our house. It’s one of the few shows we wished had a longer runtime.

Fair enough.

As long as he’s not like Matchbox, 20.

I was going to say that regardless of what you think of all of this, that is one lovely coat. Looks comfy.

In adjacent news (if being “over the Pond” is considered adjacent) somehow the second season of Late Night Lycett starts this Friday. Get to know the city of Birmingham with all the comedians Joe Lycett invites to it.

Yeah, I mean when did this “flop era” start? Cause wasn’t season 2 of Loki in the same year as The Marvels? Not to mention Guardians of the Galaxy 3.

Bit of 80s game show, bit of X-Lotto, bit of Hooked on Classics, bit of some eastern European country’s national anthem, and a bit of your friend’s dad band.

I don’t know it for a fact that this recording single-handedly killed the prog rock genre.. I just know it’s true.

I’d watch that.