You’re commenting twice about this here.

Should go without saying it could be both not a great movie and racism.

On one hand, stories are important. People need stories. And if things like Barbie teach people to get along better, then it’s as valuable as anything written by Aesop, or Matthew, Mark, Luke, John, Paul, George, Ringo, etc.

“How far we’ve come thank you ladies for your courage and endurance.”

I was (morbidly) curious where the show was going in the first season and so stuck it out, but the second-to-last episode broke my suspension of disbelief. Like, to the extent that both my partner and I thought the only way they could save the story was if that episode was all a horrible dream.

Release the Drago cut.

I’ve never been overcharged for anything on a self-checkout.

I like thinking of The Bear as a surreal horror.

Jack Black can also take a joke.

For people who haven’t worked in hospitality: it’s a dramedy.

RuPaul won!

You’re fine.

It’s the typo I never want to see corrected.

Going down this rabbit-hole on the internet I’ve found a bit of backstory that was seemingly left out of Prometheus.

I thought it was about a choir with an aversion to low notes.

Which minority are we talking about here?

Well, funerals are celebrations so..

IIRC the proto-Xenomorph seemed to be created by accident, yeah?

I don’t care unless it’s brought up again, which he did.

I had completely forgotten about that.