How is him citing the chorus to "Who let the dogs out" a sure sign of him being racist. If anything, it shows him trying to be attractive to the "young hip" set more than anything.
You must not have listen to the end, she definitely dropped an f-bomb towards the end,
Yeah, she doesn't make the other side look all that level headed and adult-like.
I don't get where you are reading that. But sure, yes, okay.
Please, bars and nightclubs have done this shit since the dawn of time. This isn't some gigantic civil or moral rights issue. It's a trashy college dive in Iowa.
What "right" was she being so injustly denied?
And if a bar wants to pick and choose, then they can.
Postmodern commenting?
True. It's hard to however when one of them is a really close friend.
How is this any different or worse than those big fancy nightclub bars with velvet ropes and dudes with clipboards deciding which half dressed girl and poorly dressed guy can get inside?
For me, it's one of two extremes that annoy the shit out me. The people that constantly bitch about how awful their life, and those that constantly brag about how AMAZING their life is and NOTHING ever goes wrong and the Universe is just always look out for them like some deity.
I'm not dismissing anything, I'm just pointing out a gross disparity between the fame track of Paul Rudd that you decided to look towards. Not even close to the same.
Clueless was very much promoted as a satire.
HBO (or was it Showtime) didn't spend months promoting Entourage as some great deep insight into our generation.
I really hope more of that show is legit baggage and not just shit producers come up with.
You know it's a strong marriage when your wife is totally on board with taking your photo with another women who happens to be topless.
Paul Rudd worked his way up the comedy food chain to get to the point where he was getting consistent work without need for auditions.
Hannah is funny? Huh?