heybigsbender
Bender
heybigsbender

True dat. You bring up everything I wanted to say but didn’t because I was worried my post was getting too long.

Does Rain Dogs ever make use of the Tom Waits song with the same name? I actually turned on the first ep and skipped to the opening and ending credits to see. And, it didn’t.

Amazing response. Oooh. Shoot. I forgot I’m supposed to stop distracting you.

Helpful Suggestion: This article would be more interesting, enjoyable and comprehensible if you included all the information in the text instead of links. I have no idea what you’re talking about for a great majority of this piece and there’s not enough context within this article to suss it out. While I’m not a

I live in Chicago. All types here. I’m basing her Power Playerness on the fact that the week of Beyonce’s show I went on Stubhub, and I could get seats for a few hundred dollars. Those same seats for Taylor Swift were several thousand.

Both of these women, who probably occupy the top two spots for female power players in the music industry (you can argue amongst yourselves who’s first and second)

Yep, it’s just like the Wages of Fear. Any bump on the road could knock off a sequin and then it’s all over.

Yes! Mine, too. This was a very good, very funny show. With the movie coming out, I keep mentioning it to people and they have no idea what I’m talking about.

Two memories related to Cormac McCarthy and to the AV Club of old.

The Road is brutal. I think I had a stomachache the entire time I was reading it. Well done. The images won’t leave me. But, brutal.

Kirsten Dunst in Elizabethtown.

I don’t understand who the writer of this article is mad at. He’s just spraying snark in all directions. 

Plus, there was that one episode where Elaine sees how much he makes (maybe that was related to the Cadillac), and, because of his income, is suddenly attracted to him again.

Ummm. Yeah. Something went wrong here either by way of communication, rumors or possibly Tony Gilroy was initially waffling on how he would proceed (though his response seems to suggest he was fully striking from the beginning).

That’s his point. There’s no way the finished product will be the exact same as the finished script in which case some “writing” would be happening on the set, resulting in Tony Gilroy having not stuck with the strike and the union.

Just joshing wit’ ya. You make good points.

I’ll have you know, I am a Jackal, sir. And, I love this Youtube-only segment. But, it’s become so self-referential that Seth Meyers has talked about how it’s hard to just jump in. And, yes, it is just people that work on the show standing around and laughing.

I have some 20-years-later, spoiler news about Rip Torn’s character in Dodgeball...