Two of my favorite shows this decade have been two-season cartoons with something like 50 episodes each that, for various reasons, each took three full calendar years to air.

Let the Hound go free, I believe?

Because when given a choice between killing someone quickly and twisting the knife, Ramsay always chooses the latter.

Also they're named after her husband and two brothers.

The archetypal heroes already died. Their names were Ned and Robb Stark.

Tyrion is the obvious pick, but then, a prophecy that comes true in exactly the way you expect is always kind of a let-down. Jaime would surely be dramatically satisfying, but it's a little iffy because… well, "hands."

What's Coriolanus Burt been doing since Spider-Man Too: 2 Many Spider-Men?

I was actually pretty on board with Disney's remake trend for a while there: Maleficent, Cinderella, The Jungle Book, and Pete's Dragon were of varying quality, but they all tried something new. Maleficent drastically refocused the narrative, Cinderella and Jungle Book cut (most of) the songs in favor of fleshing out…

This is, like, legitimately a big deal. To me, anyway.

Night Thrasher is, played by Jeremy Tardy. Darkhawk, I don't think so.

Michael Giacchino is very good at his job, so I can say with confidence that the similarities to the 60s theme are intentional, but I wish he'd borrowed a bit more heavily.

The best argument I've heard for it has to do with that - basically it keeps Peter young enough to set Infinity War in the 'present' and still have him be in high school afterwards.

No, I'm talking about the ferry scene.

That's extremely well-put, and it's why I really love the Batroc scene at the start of Winter Soldier, and also why Jonathan Crane is my favorite part, overall, of the Dark Knight Trilogy.

That tweet really probably is the single most harmless thing Mike Pence has done in his entire political career.

I let out an audible chuckle when I saw that. That's some magnificent attention to detail - they care enough to explain the double-casting of an actor who's had about eight minutes of screen time across all of his appearances.

That was my gripe as well, though it's not the movie's fault.

OH, OKAY, wait, though.

I'm not going to pretend to be a Spidey expert, but I'm pretty sure "missing social obligations and breaking promises in order to go be Spider-Man" is the single most frequent and crucial conflict in the character's history.

I think this movie is demonstrable proof that the MCU has succeeded.