That's weird if true. The definition of 'holocaust' as a word is destruction by fire, so "Concentration Camp" is actually more of a euphemism than "Holocaust Center" is.

They asked him a bunch of times and he was all "I mean, I'm not gonna say that I am, but you all seem to think so, so…"

Grant Ward's character arc is the single best argument for watching this show from Episode 1.

Well, yeah, her body was. The point is that her mind (and soul?) is now dead as well.

That's good, because the dead are those most likely to see them!

I like how it was Billy who died in the Framework and not Eric. (Though I guess it's most likely that they both did.)

It's Nightmare on Elm Street logic. If you die in the Framework you die for real.

I don't think any long con is worth murdering Agnes, so #3 is out.

I hate evil Fitz, but, like, the way I'm supposed to.

I don't know that Mack did anything that terrible. Bad, yes, but when he regains his real memories I think he could come to terms with it. And Daisy will almost surely forgive him.

Every character in every movie should be named Stacker Pentecost.

I think it's ridiculous to posit that Tomorrowland - by all accounts, a just okay movie - was career-destroyingly bad. Especially when that career is as fucking phenomenal as Brad Bird's has been.

The trouble with the jokes writing themselves is that you can't use those jokes because your audience already heard them… by watching the news.

Oh, push. Those pictures of Jason Segel provide much-needed roughage and essential inks.

When adapting a property, it's essential not to lose sight of what made people like it in the first place the myriad ways in which its subject matter can be warped to include sex and violence that were, at best, barely implied in its original form.

The AV Club

You, mean, you… didn't, love Vincent D'Onofrio's, wonderfully, naturalistic… performance?

Hello, they probably will.

Bit of a tangent, but I think that whole "anything besides death is a happy ending" thing is precisely why a movie like Man of Steel* has NO stakes. Clark never displays any believable compassion towards anyone else (maybe his mom?), so as long as he survives - which, duh - we're left with nothing to be invested in…

I think of stakes as being more of a character thing.