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The whole deal with Karl/ Karli Morgenthau in the comics is quite different. Just the one Flag Smasher, different organization, different goals. I really think this show could have used an extra episode or two to flesh a couple things out.

A Hercules who is *not* a massive wall of muscle would certainly be an interesting move.

police in the US kill far more whites than POC

I remember getting a chuckle playing Marvel Ultimate Alliance and noting in one scene just how many villains had a green with grey/ purple/ yellow costume. Of course this is because so many heros have red/blue as their main look, and back in the four colour days that’s all you had to work with.

I know what you mean, but I think I also know the reason (and any costume designers might chime in). That reason is lighting. Different textures will catch the lights differently, and make an outfit that could look very bland “pop” a bit better. At the same time you don’t really need five different textures to do

Oh I’d love something simple and subtle, like bringing in Ben Kingsley for a scene where Mandarin orders tea, and Trevor Slattery is the one fetching it. Don’t even have him speak.

see, I was thinking the body armour, which she never wore before a couple years ago. If you want black catsuits in general, then you need to look at different Avengers for that one.

Because....?

Is it still formatted so that the opening and closing credits take up 2/3 of the episode’s runtime?

Hell, the comics had it first- in 1973.

The prequels didn’t so much “hide famous actors” as “give future famous actors one of their early roles”. Is there anyone on this list that was famous when the prequels were made? This isn’t Matt Damon in Deadpool 2 stuff here.

Same here... like if you really really really want one or both to be queer and are looking for anything that might be a sign of a veiled hint...

Not even just those examples. The last time we saw Batroc we saw several of his men killed by Cap and Black Widow, not to mention the other SHIELD agents.

Luke isn’t gay: he kissed his sister as well.

I tend to feel that the discussions with the wild speculations are Mephisto’s hell realm. Thankfull they can be avoided.

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And for those who don’t understand what I’m talking about, this guy explains it really well. In a nutshell, the score plays with time in the same way they story and special effects do.

Rationally speaking, it isn’t Nolan’s fault. But neither is going into a film- any film- with such expectations. But people do it all the time, and get upset when those expectations aren’t met.

I recall the days of: “In Nolan we Trust” (much like how everyone is doing this with Feige). What flipped? Why the hate?

I liked Tenet. But to me the onl thing to complain about is how it didn’t get a nomination for Best Score.