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I am curious about how Jessica Jones is supposed to fit into the currently constructed MCU. The whole point about JJ is that she was a completely average superhero, so when she get taken by the Purple Man and tortured and abused no one really noticed, until he send her on that kamikaze attack on the Avengers.

Her power isn't inherently "earthquakes" but manipulating/controlling vibrations in matter in general, which is why she can cause directional pressure waves in the air.

Looked like he only melted metal and rubber from the opening shot in his apartment.

Most theaters won't let you buy a seat for a purse, at least if they know you are doing it for that purpose - purses don't buy concessions, and it would annoy other people attending. And I disagree with the notion that a theater threatened with a lawsuit for denying someone the ability to buy a seat for a purse would

I work in government and politics, and I have always found the comedies to be far more realistic about what happens than any of the political dramas, and this is particularly true of Veep and the other Iannucci programs.

Well, in theory you are using up a seat that could go to someone who wants to watch the show for no reason - its like allowing people to buy seats at a movie or play for their purse.

So we can know have that Sherlock, Penny Dreadful crossover no one has yet asked for but should?

Sorry, who are you to make claims about a conclusion being inescapable?

"Spouting BS"?

Its funny that you think the existence of a law is the same as the ENFORCEMENT of it. I am still amazed at the fantasy moral universe you seem to inhabit in which IF there had been in Victorian London an individual who was a corpse brought back to life, that the authorities of the time would have considered him a

You should keep your day job, as you are obviously a terrible translator.

Its funny that you think temporal laws would have been adequate for that situation. What was the punishment for enslavement of a reanimated corpse in 1891 Britain?

The Putneys planned to enslave the freaks, and if anything, Clare killed them when they made the scale of their greed known to him, and had the temerity to ask him to participate in their crimes.

Its funny that the girlfriend has also been in a TV show with Eva Green.

In the original Swedish show that this is based on there is a story-line involving a warehouse supervisor who has seen most of the other human employees replaced with synths - I find it interesting that that working class story-line was dropped from the UK version.

Sorry, which Theology makes sense?

That scene was good, but the effectiveness of that scene is due more to the fight choreography and cinematography (things Logan is NOT responsible for) vs. the actual writing of it. After all, writing wise it isn't a particularly complex scene. Every specific aspect of the final confrontation is again done well, but

The two things were not exclusive of each other - the time allotted to the scene of Vanessa speaking the Verbis Diablo to the doll that ends with Evelyn dead was plenty of time for it to have been done in a more, say, explosive way. I think its more of an issue of Logan's ability to write a more kinetic scene.

Where did I say it was a bad storytelling choice? You and Jay See and many others seem to have made that assumption. That I found the climax weak doesn't mean I think that everything that happened before or after should not have occurred- the way that part of the story ended left me at that moment wanting more, which

Yes, episode 4 was a sneak attack, and in the finale the witches have home field advantage.