Sean Spicer has a cameo. It isn’t long, but I bailed on the movie at that point. Normalizing Spicer, after he worked for that monster, Trump, is not something I am willing to do. Zach Snyder can buzz off with that shit.

Sure, there’s a big difference between analysis and knee-jerk condemnation. Take a guess at what I think is going on in Sam’s article.

No serious people have any objections to a kiss waking up Snow White in a fairy tale that’s existed since time immemorial.

For God’s sake, Sam, can we cut this nonsense out? The “backlash” to the new Disney ride consisted entirely of one editorial on SFGate before Fox News picked it up and ran with their brand new culture war football. There is no need to play their game. I don’t care what two people on some editorial webpage have to say:…

The notion that Zack Snyder is some kind of auteur is like... the funniest film-related idea I can even imagine. We’re talking about the director (and writer!) of Sucker Punch.

Like, why even go to a place where his fans are and report back here about their behavior like it’s so such a weird thing?

like Cinemasins

Just let it die...

...so, you want an entire industry to go out of business to see a film a few months earlier?

A lot of work? That can’t be right! I was LOUDLY told many times on here and on Twitter that the Snyder Cut was ready to be released IMMEDIATELY with no tweaks because “picture lock.” Are you telling me Twitter was wrong?

The idea that the movie “already existed” which was perpetuated by the online mob of Snyder fans (and Snyder himself) was always a ridiculous notion, especially when the HBO Max version was announced and budget for reshoots became millions and then tens of millions.

Sounds exactly like what I expected Zack Snyder’s Justice League to be. The epilogue in particular sounds brutal. It’s infuriating that despite him knowing he got a second chance that’s not afforded to many filmmakers - already a group that’s pretty exclusive - and getting not just money to finish the VFX but to film…

I long for the day when io9 stops trying to pump air into this steaming turd of a film

We aren’t talking about small indie films here, though — we’re talking about Marvel movies. Endgame was already successful -- one of the most successful movies in the world -- so why should I care if it’s #1 instead of #2?

Yeah, especially when Avatar is now also a Disney movie. So whichever movie “wins,” the money still go to mostly the same people.

I don’t claim to be an expert on stats and things but I have been living in Beijing for the last five years (and travelling around the country for my job a lot until this whole thing happened) and nobody I know - friend, colleague, acquaintance - has had it or knows anyone else who has had it.

They are plausible. China was serious about locking everything down. The evidence is pretty clear that that does the trick. We’ve really struggled to do that here in the US, as our republican overlords have hesitated at the possibility of not making money constantly from consumerism.

You know what?

I think the biggest offense they committed to Monica was making her say, “They’ll never know what you sacrificed for them.”

Her connecting to Wanda through grief? Totally get it. There was a theory going around early on that the reason Monica - quite insanely - got close enough to the barrier to be sucked in to begin…

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