If it was a capitalist scam, the companies paying off politicians would be for it, not against it.

Where does one find a proton torpedo?

Consider the entire universe. That’s billions of galaxies with trillions of planets. Dude probably killed upwards of a quintillion beings. Probably much more.

It doesn’t feel anything. It’s responding based on programming. There’s no pain, just a code. No fear, just a code. If you type “I feel pain” into a Speak n’ Spell and hit enter, it doesn’t feel pain, it just says what it’s told.

If I were on Westworld, I’d have decapitated her and thrown her in the fire the second time she came through. No hesitation. I don’t keep a toaster around that threatens to burn my house to the ground if I don’t feed it bagels.

Who cares? They’re robots. Kill em all.

Germain has no ability to be unbiased. Check out when he thought the Ghostbusters trailer was “perfect” before he published a review less than 24 hours later calling it “flawed.” It’s all about those clicks and nothing else.

Let me guess.

HAHAHA! A SINGLE LETTER CHANGED BY AUTOCORRECT ON A PHONE IS HILARIOUS! WHO IS DELORES! HAHAHA!

Delores isn’t a person. She’s a robot that was programmed to make you fall in love with her. William took a long time to realize that, and it turned him bitter.

Fair play.

Except he has become a villain. Why do you think the hosts started murdering people? Delores isn’t following her revenge plot based on some self-righteous notion. She’s following a narrative Ford gave her. Ford didn’t want to give up control, so he took it from everyone else. He’s 100% the villain.

1. It failed because it’s just too much. A brain is insanely complex.

Most countries have a history of slavery.

Or Yoda in Empire. Or Leia in the Death Star.

The should just name the next one “You know you’re paying for this whether you want to or not: A Star Wars Story.”

It’s great then that the battle had awful character motivation and nonsensical plot.

Which is why it’s so odd to say that all the matters is the “final product,” when we can all agree about half that product is garbage.

With Rogue One, I think we learned that all that matters is box office receipts.

The problem is that the movie portrayed these deaths in such a way that they wanted us to believe it was for good. The bodies are gone, Tony held Peter as he faded. Sad tears all around. But, to my point, the audience doesn’t live in the MCU. We’re capable of knowing that people are coming back even before we saw the…