Sledge Hammer and Dori Doreau form Sledge Hammer!

What about an Audrey Hepburn impersonator?

Gotta love "Pepe" in "The Shop Around the Corner".

In Roman Holiday she's not a MPDG.

But even This is 40 showed it's not easy even when you're in one. You still have to work at it.

I love the movie but I couldn't help laugh when it was mentioned in the first season of "Mad Men" when Roger talking about it scoffed "A white elevator operator who's a girl? I want to work at that place."

These scenes will never not make me laugh:
https://www.youtube.com/wat…

I love where the team(including Wesley Snipes and Woody Harrelson) rap "It's the sport of kings/better than diamond rings/Football" and Goldie's part is just repeating "Football. Football".

Plucky Duck's Batman Impression

Newsradio and Homicide: Life on the Street were the two great underappreciated NBC shows of the 90s. They also both had a rough but promising start, had three perfect seasons in the middle and a disappointing final season due to unpopular cast changes. (And I don't blame Jon Lovitz because he was replacing his best…

I loved Peter Boyle as Frank Barone.

"Dammit Ripley we've already seen you in your underwear!"

Jennifer Beals is like a sorceress or something.

How do you skip "Burke" in ALIENS? He has to have a James Cameron story!

-"Topper I can kill again! You've given me another reason to live!"
"
-"Damn girl! You must have the devil in you!"
(demonic sounding voice) "No… CRAMPS!"

I didn't really love it until the third act when they went BACK to Immortan Joe's lair and it became awesome. It just blew my mind how great that sequence. Part of it is I cared about the characters by that point but also it included stunts that were very inventive that weren't just stuff I'd seen in previous Mad Max…

I don't know if he's dumb more in that James Mason or his henchmen never question that he IS George Kaplan and that they've made a mistake.

I don't mind it because it's not really about the mystery and the biggest twist is actually that Eva Marie Saint is the real spy working for the government against James Mason.

Screenwriter William Goldman loved it and said:
"“I don’t know a more adroit ending to a film”"

Also compare "The French Connection" made three years later which has a memorable car chase too. Director William Friedkin made sure was not the same as Bullitt by having a car chase a train, but it also is a gritty police procedural AND a fantastic character study of this misanthropic cop. His obsessive approach to…