Eh, I don't know how much it has to do with Logan as much as his family. The kid would be entitled to some part of their fortune and that is a whole huge mess.

I almost admire ASP's brazen "this is my ball" quality— I don't know if there is a word for that.

I have a whole lot of issues with the idea someone should have been cast over Jeffery Tambor because of their actual gender status: a big part of the reason he was an amazing choice was because of his decades of great work as a man and playing off our familiarity with him to put us into a similar the situation with…

I would say that childlike quality is something they share and that decency is Paul's pole star that he follows blindly. He does what he thinks is right without concern for anything else. I don't think that's really self-absorbed as much as blindered. He went along with the cucking because he thought it was the right…

She likes to criticize everything and gives terrific blow jobs.

Also: why does no one on tv have a case for their phone? Besides everything else, mine hits the floor near every damn day and it's none the worse for wear. I also know someone who years ago accidentally ran over their phone with an SUV. The screen cracked but it was fine.

I'm torn. On the one hand a good ending should feel inevitable and if everything didn't end up his way, it would feel wrong because logically from everything we've been told, this is where things should be, but it's that predictability that bothers me because the best parts of this show have always been in not knowing…

Pretty much every episodes ends with me muttering "Fucking Pfeffermans."
Great show, horrible people.

It's not about getting a job, it's about having a hammer when you need to incapacitate an out of line prick.

I think that's the new battle hymn of the republic:
Have an abortion and go to law school.

No! After Paula, he's my favorite thing… ohh noooo. I hope they were ready for this. I'm not sure I am.

Is it impossible for Jemaine Clement to pop in for a quick tap on Greg's shoulder with a "Ahem, it's Business time."

The real Eleanor is adorable. I'm so glad they had one. Let's get this show on the road already.

Vernon contains multitudes, and, like Paul, is a fundamentally decent person.

My favorite part was the picture of Anezka with two rabbits. Something about the absurd joy on her face and in the narrator's voice while perfectly serving the story is the kind of goofy I am happily surprised by and yet expect from this show.

While I'm fairly sure I read this, I remember nothing of it, which it seems is best for the purposes of this show.
I am all over that corgi and kitten, the woman at the corgi's house, and, frankly, it's entertaining enough so far riding in on the Adams name without as far as I know spitting on his grave. Yet.
Expecting…

I have always been unapologetically in it for the Clyde, and it turns out Clyde is the tiny glimpses of awkward emotion that peek out of Sherlock's shell, be that dressing Clyde as a shark or setting up an ad hoc proposal. The little goofy asides are the only time this show seems to have any real personality that I…

I'm so glad they finally got to the point of blowing shit up, because what we know of the premise has not yet ceased to annoy me, so I'm glad they are pulling back the cover to show us the crazy. I can't fault anything but the premise which bugs the ever living fuck out of me. I'm just hoping this is the neighborhood…

I teared up too! I was like, "What is happening?" That Paget will bring you to tears, goddammit. You have no choice in the matter, puny humans.

I tend to think it's like with people who've never been in a relationship or had sex going, "That's so fake." or people who've never done anything creative going, "They're so high." Having no point of reference makes some people insist there is a binary right/wrong, real/fake, truth/lie— it's the difference in wanting…