Sam could make five figures in a single day just doing something like doing signing autographs at $50 or $100 a pop. I suppose it might not be allowed if he’s currently employed by the Air Force, but there would certainly be ways around that. 

That’s why I think “Truth, Justice and the American IDEAL” is the way to go. That both points out what Superman stands for while reminding others that America frequently fails to live up to those same ideals.

Good point. A lot of it comes down to the fact that now that anything can be created via special effects, we want to see those special effects. Back when the effects were crappy, they’d fill the voids between effects with the more emotional aspects. Now, the DC films fill the void between effects with even more…

He may not have the physical vulnerability, but I like that the new series is going to explore Superman from the perspective that no Kryptonian powers can ever make him a good father. Super-villains are easy. Teenagers are hard...

Lauria redeemed himself in “Pitch” as the grumpy manager who secretly spoke Korean.

No, Hanks played the shark Fonzie jumped. He’s that good.

VEAL! It was Veal Prince Orloff!

And the single most obvious would be Robin Williams’ guest spot on Happy Days as Mork.

Just saying “Veal Prince Orloff” in a group is a great was to figure out who I’ll get along with. That, and replying with “Aristophanes” if someone says “ridiculous.”

But now we know that Winkler’s role in Night Shift is probably the role closest to his actual personality. Fonzie was his role that was most against type. 

There’s room to expand what Star Trek is and stay faithful to what it’s all about at the same time. The Federation is huge and there’s nothing that says every story has to be a about a captain on a starship encountering weekly allegories.

Doooooooooooooooooooooooogie.

The Lola of the Looney Tunes Show was hilarious. Kristin Wiig killed it.

“Who The Fuck’s Line Is It Anyway?”

“Sowl.”

He’s a great actor, period. Wish they could’ve given him a scene in Avengers: Endgame, maybe helping Scott get back to the compound.

I see it more like a much older than normal parent dealing with his daughter who is growing and learning much faster than he can deal with. He was good as raising a little girl on his own but he’s not so good at navigating the waters now that she’s a teenager. That’s partially because of the age difference and…

I like that this episode showed Bremer at his most competent yet. I didn’t like the idea of him being clueless or incompetent, he was just adjusting to and learning how the mayoral job works. Having the final resolution of siccing Arpi on the citizens panel be his ultimate plan all along was inspired and showed that…

I like Wink far more than I do Eubanks. Both are Trumptards but Eubanks takes it to obnoxious, obscene levels. Wink was rather entertaining on Gilbert Gottfried’s podcast. (Gilbert’s co-host would never even allow Eubanks on the podcast in the first place.)

Was she on stage for the closing credits or just not there at all?