Instead of the kind of the ending they used that just totally fizzled the sketch out, when Mama Cass interrupted them to say how she wanted to see her song used decades in the future, it should have been something like “I want my song to show up on this weird show, that becomes surprisingly popular in spite of all its…

Don’t forget the James Bond franchise’s entry in the “action movie that’s a stealth Christmas movie” category, On Her Majesie’s Secret Service which takes place over Christmas, and even has the villain’s lair decorated for the season (the soundtrack album even has a song about Christmas trees in it)!

Man, I really did not like 11's later costume at all: while the first one tried to do something unique to 11's “old man in a young body” personality, with it’s time-shifted WWI Oxford don look, that later longer-purplish-coat one just looked like a “generic Doctor Who designed for a comedy sketch by people who call…

It was the 11th’s second, inferior one (his first, chaotic asymmetrical one was my favorite console room in all of nuWho, and a contender for best in general).

About that theme: Gotta confess, never a huge fan of making the Who theme too orchestral; my single favorite thing about the Chibnall/Whitacker era was that “Radiophonic revival” electronic theme (and the worst-ever version of the theme is the 8th Doctor TV-movie one).

Bye, Ronnie. Dismissed.

Not a single mention of Dave Foley being in this?

Nah, it’s been around forever, and personally I’ve used it online for well over a decade.

The Grammies? They still have those? All kidding (and the Grammies’ irrelevance and uselessness) aside, I did get a little chuckle of schadenfreude from Wallen’s snubbing. That guy was soooo unbearably godawful on his SNL appearance, and I’m not even referring to any of the controversy around it (though that certainly…

It’s the very epitome of overblown cheese. It just generally has a douchey, tough-guy asshole vibe that makes it very different from anything Freddy Mercury has ever done; while he also has a powerful voice with range, he doesn’t emphasize that low end tone, or grimdark self-seriousness that comes off as goonish to me…

I grew up in a home with a classically-trained opera singer.

Inside No. 9 beats the living shit out of most of the rest of these. At least give it Gavin & Stacey’s slot. In fact, the only entry I wouldn’t kick off in its favor is Toast.

I love her videos, and enjoy what she’s had to say about a ton of songs, but sorry, a voice expert deeming someone’s singing technically accomplished is not really a clinching argument that automatically makes the cover good. In fact it’s the bombast and show-offy “vocal power lifter” aspect of the guys’ performance…

Dude has a voice

I’ll consider that a compliment, coming from the Grand Duchess of Shitty Taste.

When Hallelujah comes up, I can’t help but to keep saying this:

Frankly, though, I don’t need any covers to feel that way about Bobby McGee in general, regardless of version.

The vocals alone make you shiver.

Honestly, I was kind of dreading its inevitable appearance, and was actually inwardly gleeful not to come across it.

You’re actually citing Devo as someone who shouldn’t be on the list? For one of the greatest-ever cover versions? I can have no respect for any further opinion you may shit out. Fuck Cocker, man.