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Even worse: nü AV Club.

At least, there won’t be any need to adapt God Emperor of Dune, given that five-hour-long rambling monologues from a giant worm with a human face who rules the universe already exists in the form of Donald Trump’s phone calls to Fox and Friends.

Yeah, the only people who have a right at saying something are anonymous commenters on the Internet.

When she got signed a few years ago, there was probably just Venom, as Morbius or Venom 2 were at best in development.

I’d say it’s worse than a trailer. It’s a two-hour post credit scene that teases us for something supposedly much more exciting, involving side characters from the main story in something like two decades.

They have told the same exact stories about Solar Opposites, that he quickly lost interest in writing/became sidelined and only stayed to voice the lead character from his home, and it’s pretty consistent with Roiland’s R&M credits coming from stuff like the Interdimensional Cable episodes (which are mostly a bunch of

There’s much worse than that in the sentences you quote as journalistic issues. Justin Roiland hadn’t been the showrunner for many years. As The Hollywood Reporter explained a year ago, Roiland more or less gave up on contributing to the show (outside of recording voices) after season one, when the writing room

Well, he tried his luck on the reboot of Amazing Stories, and left over creative differences. His reboot was aiming at gritty and edgy, while Spielberg and Apple had in mind something that even kids could watch, like the original.

Over the course of its moody first season, Monsieur Spade was occasionally murky, plot-wise.

And the role was most likely never offered to him.

The question people should ask is how this miniseries would have been regarded if it were a standalone thing rather than something called True Detective.

As real as “It’s like blue balls in your heart.” Sure, this line was supposed to be told by someone who was clumsy at expressing his feelings, but still…

It’s also an issue when the best action scene from the entire movie (the fight at the restaurant) is the only one that doesn’t involve the visual concept that’s supposed to be at the heart of the movie.

He is credited as a producer. Where do you get that he was acting as a producer on the set?

A major issue is that nearly every writer from the past years is gone, replaced by new, disposable people who are trying to make a name for themselves without making real sparks, plus the two proverbial cockroaches who have outlived nuclear apocalypse, Barsanti and Hughes. At this point, the AV Club is mostly an IP, a

What movie?

Bergman wouldn’t miss an episode of Dallas, according to his diaries (RW Fassbinder was also a huge fan). Terrence Malick is a Zoolander super fan up to the point that Sean Penn had Ben Stiller record a video message in character for Malick’s birthday. Kubrick loved The Jerk and White Men Can’t Jump, among others.

Nolan is a huge MacGruber fan, up to the point he quotes the film to his cast when he’s in a good mood.

Except that most b&w films produced at the end of the filmstrip era were shot in color, because of concerns about the price and availability of b&w stock and labs that could process it. That’s why there are (desaturated) “color” versions of The Coen Brothers’ The Man Who Wasn’t There or of John Boorman’s The General.

Before people start some guessing game, a reminder that if Eccleston had wanted to name the co-star, he would have named the co-star.