Trevorrowesque.

The Get A Life boxset faced two main issues. The big one was for the music rights, as some songs were hugely important in various montages. The studio tried first to release a few select episodes on VHS and DVD, but I seem to remember that they had to use some different music for the opening credits, as they didn’t…

Rhino, at this point, is just a moniker for the catalog division at Warner, handling archive stuff like concerts from The Doors or the Bowie remasters.

They’re actually the Rhino of film and show reissues, because they are founded by the guys from Rhino, after the company was bought by Warner.

The show has fallen off. It was exciting for a season and a half, when it was still lowkey (the assassination attempt during the first season finale was prevented), then they pushed up the stakes, and painted themselves into a corner. They tried to get relevant again by picturing what a Hillary Clinton presidency…

It would just take them to create an article every day with a plain list of the shows that aired the night before, with a line or two added if somebody from the staff watched it and had anything to tell about it. But I guess it would put emphasis on comments, while basically everything has been done to treat them as a…

Yep, that was the point of the original poster. When Seeso was closed, the production for season 4 had already wrapped, as the service had ordered seasons 3 and 4 at the same time. They first need to find the proper channel to release these episodes, before even thinking about potential future seasons.

They basically take their decisions based on the traffic it generates, because of the page views, which are the the base for the rates at which they sell ad space, the main source of income for a website.

The Obama library isn’t one of the top clients at the firm. The middleman for the Obamas was a good friend of Diane, and the firm assumed that the library would be a shoo-in for them. That’s why they had bragged for five months about getting it to their other clients, and why it would be very embarrassing for their…

He most likely has a bunch of assistants who execute his orders, while he focuses on the general direction. But that’s not news. He had people like Angela Morley taking care of some of the stuff as early as the seventies, and a score “by Hans Zimmer” is usually written by a whole team, including “students”.

First, there was a litigation between Ian Fleming and Kevin McClory, who was one of the several people Ian Fleming had worked with on a spec script, Thunderball (or James Bond of the Secret Service), in the late fifties.

Sure, there was some balance needed, and the plot had never been that gripping. Yet, they got rid of it after three episodes of season two, which was rushed, and they replace it, to keep Hannah around, with a boring story about the British journalist who was killed on American soil (now involving one ex-president!).…

If Designated Survivor just focused on what a real leader would do, as opposed to the current guy in the White House, and was bold enough to comment on current events, it would be ten times more interesting. But they appear to be afraid to alienate part of their audience.

With Gilbert, it just leaves Connery as the lone survivor of the team who had put together the “classic” era of Bond, from 1962 to 1979: Saltzman, Broccoli, Terrence Young, Guy Hamilton, Peter Hunt, John Barry, Ken Adam, Maurice Binder, Lois Maxwell, Bernard Lee, Desmond Llewelyn...

Dahl and Fleming had both served for the British intelligence during the war. They knew each other, and it was reenacted for Drunk History, with Will Ferrell as Roald Dahl.

You’re totally right.

I can grant you it definitely wasn’t breastfeeding. No nipple was in sight, but they went for a surprising amount of skin, which was all the more surprising given that it’s a network show.

It was still a work in progress (the score wasn’t finished) and just the first part, with a teaser for part 2, which hints at a big change of tone.

“Yeah, I’m assuming this show is why Chair is suddenly gone.”

I’ve seen it (well part 1). Basically, it’s Greg Sestero’s answer to the film adaptation of The Disaster Artist, you know the one that just focuses on the most ludicrous aspects of the story. He tells again about his relationship with Wiseau, this time as a fiction, but with the same psychological impulses.