He’s basically Schwarzenegger but without the same sense of savvy to back up the ego.

I finally gave in and actually watched the movie in question.

Did I make a flop?  No, its the executives who are wrong.

“It would’ve been totally dope, unique, unconventional, boss, fresh, challenging, balls-to-the-wall. Unfortunately NDAs prevent me from saying anything further.”

I’d also add, as others have pointed out earlier, that the SAG-AFTRA members voted for the strike with 97.9% of the vote. The exemptions strategy was part of the motion that was voted on.

No they won’t prolong the strike. These waivers (i) prove that productions won’t become uneconomical under union contracts, (ii) reward producers who agree to the new conditions, and (iii) allow as many workers as possible (and not just WAG and SAG-AFTRA jobs) to maintain an income during the strike...which is the…

This does not prolong the strike. Literally the last strike was broken when the smaller studios agreed to deals with the unions (at that point it included MRC and The Weinstein Company.) The idea is to divide and conquer — for both sides. Breaking up studios (whether large or small) to get them to agree with the…

You really are a moron.

It’d almost be impressive how much you get wrong, if it wasn’t blatantly obvious you’re doing it on purpose.

For the love of all that’s holy, can a moderator please ban this waste of bandwidth please?

I understand the skepticism of granting waivers to projects like G20 and Tehran, but what I was replying to specifically was the claim, “Making movies helps those big companies.” Not “this specific movie” (G20); just “making movies” in general.

Lol oh yeah. Nice. Solid comparison. 

In related AV Club news, a website that ushered its former writing staff out the door and replaced them with cheaper, more industry-friendly writers is reporting on the plight of writers.

Witcher have 13 regenerations 

I support any production that abides by the terms of SAG-AFTRA’s waivers, as well as the WGA’s terms. The strikes have put a lot of people out of work - not just writers and actors, but the grips, caterers, and production assistants waiting idly while production is paused. The longer the strikes go on, the more…

Mods Love Me is an obvious troll with an “I identify as an attack helicopter” profile pic. Flag him and stop pulling him out of the grays.

They want to work for the studios who signed interim agreements agreeing to all of the demands the union is making. Those are the ones who got waivers.

Exactly. If MRC is heeding SAG-AFTRA rules, then they SHOULD be producing films! They’ll be making movies and earning money while the big studios can’t.

>A lot of actors forced into a strike

Sarah Silverman is a dumbass who doesn’t understand that these projects were approved because they already meet the standards that SAG-AFTRA requested. The goal of the strike isn’t to stop movies from being made because we hate movies, it’s to hurt big companies pockets by halting their productions until they fix how…

I have a comment that I think is still in the grey’s that explains when the Rhodey Switch probably happened based on his leg braces. Post Endgame Pre FAWS

There are actual problems with this show. There are actual things that a skilled critic could address. There are actual plot issues, pace issues, dialogue issues, theme issues.
Which makes it all the more infuriating when Barsanti ignores them to make complaints that demonstrate his complete lack of media literacy: