The sad part of that story - at least from the film's perspective - is that it didn't go straight to DVD. It just made so little impact on its theatrical run that most people just assume that it skipped cinemas altogether.

And Only Fools and Horses. I realise its length suggests it's excluded from that point anyway, being one of those old-style sitcoms that stuck around for years, but it had the logical stopping point and it dragged on past it.

Same here - I'm never in during the day so I have it set up on series record. I don't watch them all and delete most but I always keep a little batch of episodes to have on in the background when cleaning or cooking.

What did I expect by clicking 'Show More'?

GollumEye

I agree and that's why, as silly as that "okie-dokie" is when heard coming out of the same character as we saw in Silence of the Lambs, it's a fun little line in the scene itself and it's easy to see the blase attitude they were going for.

I agree, the scenes in Florence are easily the strongest and, even with Hannibal occasionally veering between silly ("Okie-dokie") and hammy ("Is that Clairice? Well, hellooooo Clarice), it often manages the kind of beautiful horror that Harris wrote. And, as you say, the opera is fantastic and the piece composed for…

Agreed. Some of the cast were spot-on and there were moments of excellence. For example, that opening train journey set to Nights in White Satin was one of my favourite cinema moments of the year and I can't explain why - the whole tone of it just felt so hauntingly beautiful and off. A tone the rest of the film…

No way. The whole Wonka character is off. Wilder played him correctly as the man whose comments made him sound like an oddball and a nut to those not paying attention or were easy to dimiss the strange, but to anyone paying attention to the logic of his statements made him the smartest man in the room. Burton and Depp…

And to think this year I've started watching it via legal means rather than downloading it. Damn it, I also get out just as something gets popular. That may be praised in hipster circles but I just want to be one of the gang.

The Marvel credits are really well done. The funky B-movie style Iron Man 3 image mash-up - complete with throwback score and IRON MAN THREE title card - was awesome.

As much as I love Animal Nitrate, Trash will always be their Britpop anthem in my heart.

Before watching the film he shall of course enquiry as to whether there's any nudity in it.

And nor should they - they had that date long before Warners did, they just hadn't announced which film was going there. Warners know they have a big thing with Batman Vs. Superman, they made a shitty move by putting it on the same date that Marvel had earmarked and assuming they'd move to avoid the BvS juggernaut.…

I don't doubt that Captain America 3 will be the better film and probably the one that a lot of people hold in higher esteem (assuming the quality ratio is comparable to Man of Steel vs. Captain America 2). But box office-wise? It's Batman Vs. Superman. Forget how Man of Steel was received, that's a comic book film…

At one point he did a fairly decent back-flip or something.

I assume this is the quote you mean - this is from Chase and, although it doesn't say that he specifically wrote the finale as a fuck you to those people (I honestly think he had higher aspirations than that), it does set out his disgust.

I can't even remember the last time I was excited about watching an episode of the show but I agree - it'll be a sad day when it ends.

He did -

At last update (only a couple of weeks ago) Pullman suggested it would be finished by the end of next year but probably not published until 2016 (and possibly as a two-volume set - one a prequel to His Dark Materials, the other a sequel). Still at least you only have two years to wait for it, unlike those who has been…