doctor-boo2
Doctor Boo
doctor-boo2

I agree. Personally I thought that episode 6 through to the end of season 3 was a stronger, more exciting and more consistent run of episodes than anything in seasons 1 or 2 (especially season 2, which dragged its heels a fair bit). It's second only to season 5 for me.

I had an infected tooth and couldn't sleep for a few days so I binge watched the first three seasons, back-to-back, to distract me from my painful delirium. Then kept on going from season four onwards as they aired.

Not just season-long but seasons-long - up until the opening moments I'd completely forgotten that we'd been tracking this moment for three-and-a-half years. The resolution of all that drip-feeding of wedding scenes turned out to be fairly anticlimactic.

What about WALL-E? For me it has a handful of 'Pixar moments' but the standout is probably Eve watching back the footage of WALL-E's attempts to keep her safe/wake her up on Earth.

I saw it after it had been out about a week and a couple of people had told me "It's great, but be prepared, the ending's devastating". So when it got to the incinerator scene, my mind was racing with thoughts of "Wait, is this really how it ends? Jesus…"

I know what you mean - I love the music but I can't hear it out of context because it's so well done it'll make me well up. Even imagining it now is semi-working.

That's why I don't understand why my fiancee doesn't break down for it - we're getting married in August and she's all about how excited she is for us to spend our lives together, and has a genuine fear of what will happen when one of us dies - the idea of a life without me terrifies her (I have a hard time

I watched Up with my nephew back when he was about 4 or 5 and he had a similar reaction - he didn't understand why I was upset and I didn't really want to explain it to him because if he hadn't grasped it in the subtle way the nice cartoon had expressed it, then his sobbing uncle wasn't going to break it to him. I

I'd rather you broke it to me now than she broke it to me on the day she births out mutant spider babies that then devour their father for sustenance. Thank you.

You don't?

Hey, that's the name of the show!

Go fuck yourself, San Diego.

My fiancee doesn't shed a single tear during the opening of Up - not at that live performance, not at home, not when shown on Youtube, not even when our local cinema had it back for a night last year and I took her. NOT ONE SINGLE TEAR. She doesn't laugh but it still seems like a damning indictment.

Possibly - as I said, it was affectionate laughter. It was just odd to experience such a vocal (for want of a better description) reaction to what I experience as a silent, lump-in-the-throat reaction. never experienced it in the cinema either. Perhaps it was just because it was shown out of context?

Does anyone else see the moment as being played for laughs? Because I haven't - it's always hit me right in the tear duct and never fails to.

I would assume that the anagram is there for fans rather than in-universe continuity - even if we knew Simm was The Master, we didn't know Jacobi was. So, at that point, Simm was the sixth actor to play The Master proper.

I've always loved 'All the Strange, Strange Creatures' which, to me, feels like it could have easily been the theme tune for the series had it not come packaged with an already iconic and brilliant theme tune. Full of wonder, bombast, danger and excitement. I was very happy when it finally started getting used in the

I love the way Gandalf says that line with all the bad-ass bragging tone it deserves. Raising his hand for a high-five wouldn't have been completely out of place.

Unfortunately nowadays it's both. I don't want to accept it either and happily ignore it but there's the same distance between us in 2014 and the music of 1998 than there was between us in 1998 and songs such as 'Physical', 'Do You Really Want to Hurt Me' and 'Ebony and Ivory'.

Their version of Charlie's Angels is plenty enjoyable as well. For that brief time they really did conquer the niche 'providing a dance/electronic rock update of an old TV theme for its cinema version' music genre.