Everyone I know watched the first season. I think most watched some of the second season. I struggled through it at times. The third must have either come at a busy time in the television landscape, my life or I just didn't care anymore. I don't know a single person who watches this anymore. I still hear, "New House…

His Ray is better than his Emmit. But Ray had to die for this season to kick into high gear. We'll see what comes of Emmit in the grey bar hotel.

We'd prefer you went away.

I literally had to come here to figure out who was promoted. I mean, I assumed it was Kimmy's dad, but there was no way in hell I had a clue was his name was.

2 Ewan Mcgregor's in Fargo, as well.

Canadian banks are all over the US. You can't cross the street in NYC without seeing a TD bank.

Shaw has Twin Peaks on a Movie Channel that I apparently already subscribed to. Finding TV is hard now.

Plus, that Brad Pitt Netflix thingy.

Not much going for American Gods in terms of story, unfortunately.

*In Louis CK voice*

"Sweet Child O'Mine" - Guns N' Roses

That is a real life restaurant in Calgary, Canada. Good food too. Perfect for screen.

Yes, this. For someone who wrote 8 paragraphs about a production choice, you'd think they'd notice the audio cues: empty 'plop' of him taking his nuts out, followed by the very loud water pouring.

I don't think Varga is an anti-Semite at all. He's preying on Sy's ego, telling him what he least wants to hear. He's a manipulator. We'll see how it plays out, but I saw it as chess moves vs. hatred.

She's the opposite of Sean Bean.

Alan Sepinwall always has a great breakdown of the songs in his reviews:

Good luck! Season 2 was reminiscent of trying to get through Infinite Jest for me.

Way too much Season 2.

It changed the way Gloria views the world. It's the Mike Yanagita moment from the film where Marge learns of people's capacity to deceive.

I liked how this paralleled one of the most talked about scene in the Coen verse - the Mike Yanagita scene from the Fargo movie. It's a bit of an indulgent scene that's been talked about as the only mole on an otherwise perfect film.