Well, you don't really explain any of the calls, you just mention them. I can get why Jay would call Jenn - he does all the time, and he doesn't know about the murder yet - but the rest of them just seems really weird. Calling Nisha and Phil and Patrick while they are moving a body around? And the 4:12 call in the…

I don't. Try as I might, I can't fit Adnan into what the cellphones show in the afternoon, in a way I find satisfying. The whole 'come-and-get-me-call' fucks everything up.

The police had the phonerecords before they spoke to Jay. It's what led them to Jenn, who led them to Jay. And they let Jay look at them at his second interview. So only the first is without cellphonecorroboration, and he misses.

Yes. I disagree with you on Adnan's guilt, but Jay changing the story of the burial doesn't mean that that is what took place. It's more proof of a bad interviewer, who didn't call him on it, during a four hour interview.

You're making more sense than most I've discussed this with, though.

The 3:21 call can't be true. Jay wasn't at Jenns when Adnan called, the call pings at Woodlawn. The next three calls seem weird, they're just calling to chat while they move a body? And how do you explain the 4:12 call made to the east, still near park-and-ride, if Jay had already gone back too Woodlawn to drop off…

Well, just the doubters about Leakin Park.

'Hi Yaser. I'm…. nevermind…'

And then how do you explain the 3:21 and 3:32 calls? And how did Adnan meet Hae at the time?

Well, please check the cellphonerecords if you can find a call from around Leakin Park that connects to Adnan. You would but all the doubters to rest.

Adnan was high as hell… Logic is kinda besides the point here.

The call to Yaser pings at Woodlawn. Actually right nearby the Mosque.

This isn't true. No calls were made exactly from Leakin Park, the calls made nearby are to Jenn.

None of the calls around Leakin Park can be connected to Adnan. There's a bunch of calls to Jenn, and some incoming calls we don't know about. So it isn't proof of Adnan being there. And nobody can figure out when Adnan phoned Jay. 2:36? Or 3:15? Or perhaps 4:27? All of them have problems.

I've tried and fit the story with his grandmother into the cellphoneevidence, and I can't make it fit? Obviously, it wasn't after Cathy, as he says it was (there is 45 min between Cathy and Leakin park, and a few calls from Woodlawn in the period) but I can't figure out at which other time it could have taken place.…

I'd probably say Tokyo Sonata is the masterpiece, though perhaps not the best representation of Kurosawa's style. I saw Penance last year, and thought it was good, but it looked too sleek and tv-like. Then I saw his later one, Real, and that was also way too sleek, so it's probably just a new style. Which is too bad.…

Yol is really quite good. It's of it's time, and some of it seems clunky, but it has some really powerful scenes.

Another one: David Yates and JK Rowling. Ok, that might be cheating a bit. Several film-makers has made three Shakespeare. I also thought of Bela Tarr and Lazlo Kraznahorkai, but Tarr has actually only adapted two of his books, though they've collaborated on scripts for two more.

Yup. Bresson really loved his Dostoevsky. A Gentle Woman is based on A Gentle Creature, and Four Nights of a Dreamer is based on White Nights. How many directors has adapted three stories by the same writer?

Everything from the fifties is masterful. Diary of a Country Priest, Pickpocket, and of course, A Man Escaped. I kinda dislike most of what he did in the sixties, there's a whole load of suffering women which really is one of the most tired tropes of arthouse cinema. They are incredibly well-made, though, the…