They were so also really good.

Is it my impression, or is the trailer a bit moralistic towards the end?

I love talking about "The Americans" with, well, americans. because I noticed you people there see them as anti-heroes, because cable, russians, blah blah blah. But, come on, you fools, don't you get it? That's how your heroes act in every action film where they face another country, and yet you never questioned them…

Since we're talking long-shots in below the radar Emmy categories, I want Hannibal to be nominated for cinematography. No, wait, that's not right. I demand Hannibal to be nominated for cinematography. Too bad there isn't a Best Food Design category though, it would easily win that.

Fair enough. I just see this happening a lot when this show is brought up, that's all.

I understand loving this show. I don't understand whenever this is said or implied to be an advantage the show had over other animated shows though.

The Celluloid Closet is great, this film is not.

He sorta has a point with new rules. Samsung is probably giving him as much money as he'd get selling a million copies, the label probably gets their share as well, Samsung gets a lot of people to buy phones. That's impressive and clever strategy, and one million people still got the album for free and legally.…

When is this thing of being so proud and feeling cool for not knowing hyped stuff is gonna end?

Is the name of the documentary My Neighbor Notaro?

Which 1998 did you live? I don't remember any hit movies starring them that year, or the previous.

Such a cruel hat!

I like it fine, but I'm one of the exceptions that finds it has problems with rhythm and that it relies too much on music. I also find Dolan's writing to be lacking in nuance for his themes, even though he is generally very good with characterization. It's not a bad film, but I prefer Heartbeats.

I prefer not to look at The Mindy Project, thank you.

I understand Teen Wolf has never been Top Pick before, so fair enough. But Adventure Time, guys…

I know you're joking, but I really wonder why he couldn't just be a fixer in Boston. Sure, L.A. is flashy and (in the mind of a Showtime executive) probably "sexier", but it would've been a better creative decision in the long run.

I don't think her saying that she likes this choice and why she wanted to take it further necessarily means it's valid. Everything she said about the family and Catholic Church scandal just makes me think "fine, then move your show to Boston!". There's still no real justification for why this show has to be set in…

"I have the weirdest cancer!"

Oddly though, the critics who didn't like it REALLY didn't like it. Sepinwall and Maureen Ryan had some similar thoughts on it. And the funny thing is that, unlike other shows that I feel are divisive by nature, this one doesn't seem to fit this kind of reaction.

Yeah, I thought about that too. I almost feel like there was a project about a Hollywood fixer, and another about a Boston anti-hero with daddy issues from some writer trying to mimic the tone of "The Departed", and somewhere along the way, they decided to make both the same thing. Because there really is no reason…