I did enjoy how Chalky will kind of get a revenge on Narcisse. "Ain't nobody ever been free"

I was disappointed because I kind of wanted to see Chalky in all his old badass glory, tearing apart Luciano's men.

You know, I hated the shit out of Mickey Doyle in the beginning. Once you spend a little time with that slimy douchebag, you start to love the little bastard.

I loved how he also got the satisfaction of fucking terrifying Al Capone in his final moments.

Okay…
Who the fuck thought Balloonman was a good idea?

I wholeheartedly agree. I've gotten tired of a lot of shows, but there's something about Oz that makes it so….rewatchable.

It's SPATTER.

Just playing Devil's advocate here, but since when is "he was in the books" not a legit argument?

Well, duh. Criminals love strip clubs.

It's at least clear they're going…somewhere. I don't know if that place is good, but it's still heading somewhere.

This I agree with. Most shows are a little off in the beginning because they're still moving along.

THAT was a little harsh. Just because someone can find enjoyment in something when you can't doesn't mean they have horrible taste. Have you NEVER had a guilty pleasure? Something you know is banal and average in every way but something compels you to find a modicum of enjoyment in each installment? I doubt you're…

Oh and all the wink-nodding. Jesus.

I kind of agree. I would have given it a solid B-.

I would've at least guffawed for a good while if we were I'm sure.

I almost wanted to compare the rampant police corruption to a really uncompelling The Wire mixed with maybe like, Burton era Batman?

It's like this show is that guy who isn't quite sure if you got his reference.

What they're doing could actually work, if they'd stop fucking winking and nodding for like ten fucking minutes.

THAT SPELLS FINALE WHEN YOU SWITCH IT AROUND

"You remember Catwoman?"