Still a no. In fact, every acclaimed Meryl Streep drama would be improved by adding giant transforming robots. A study was conducted that proves this. Doubt becomes the greatest work of art humans can conceive of with the addition of mecha.

I figure even when he was around they were just like, "Don't look! Look over there! Look away goddammit, we're trying to do something over here!"

If this idea were a basketball player I'd want to dunk on it in front of its girlfriend and soak up its post-dunk embarrassment to fuel my energy cells.

Oh if only. If only…

I don't know if it's so old it pre-dates "Creepypasta" or not, but The Dionaea House is legit.

It's a spaghetti that whispers passive aggressive threats to you.

At least it's not some kind of lame ass mashup being pitched as a "perfect pairing".

"Listen, all of you, I'm the brains of this operation, and since I'm the brains I—AUUUGHHH"

Well, like anything else, violence by itself doesn't equal anything in the context of fiction. It's like how death ≠ sad in terms of fiction if it isn't properly utilized, set up, presented, etc. Fictional violence alone isn't enough to be scary, exciting, tense, thrilling, comical or anything. It has to be utilized…

Or heist movies.

He could have just shortened this review to "There's a character in this movie named Father Napoleon-Horatio-Silas-Murder. There's another named Doom-Head. Don't see this shit."

His dad was Bobby Petrino? (EDIT: That's semi-rhetorical, as that's the only coach who's had such a unique scandal / neckbrace incident, but I am kind of hoping it's a different guy just for the weirdness of there being two different college coaches with such a weird, identical scandal behind them).

Forget it Ferlin, it's Webtown.

"There's nothing like revenge for getting back at people."

Hollywood accounting claiming that obviously highly profitable films weren't actually profitable is a pretty standard, lousy practice. David Prowse was denied net profit checks by Lucasfilm for Return of the Jedi because they claimed it—Return of the Fucking Jedi—was not profitable. Same happened to the author of…

Yes! They're even better when you're dead.

Although the War of the Worlds broadcast reaction has apparently been overblown.

" In the aftermath of the show, this was found to be an important factor in terrifying viewers, especially younger ones. Kids may not have the best grasp of what’s real and what’s fictional, and Ghostwatch simply blurred the line too much."

I think every Icelandic tourism ad should just be, "Come visit us while ice still exists!"

That is the most egregious example I can think of.