Wow, I actually thought Ambrose acted the best in that episode, whereas Gillian Anderson was delivering all of her lines about a potentially world-ending virus in that same drone-like voice and Mulder was just playing "sleepy and on the verge of death" for much of it. Ambrose actually brought individuality to that…

No, we're all discussing a very elaborate piece of fan-fiction.

They actually made a sequel to "Home" in the Season 11 comics that Chris Carter produces.

I dunno, I thought the Scully scenes had plenty of drama. I loved the stuff about their relationship foundering and her scenes in the hospital. I thought the last 10 minutes were plenty full of suspense.

There is a sequel in the IDW Season 11 comics. Just ran a few issues ago. Not sure where IDW's Season 10 and Season 11 fit in now, but they directly picked up after the last movie and Mulder and Scully are still together. This new reboot series seems to be taking place AFTER the IDW comics because of certain…

Huh? Kilgrave forced her to tell him something he didn't know. That whole scene was Jeri complying with his mind control.

Wow. Just….wow.

It actually reminded me of Julee Cruise singing in Twin Peaks. I wonder if that was the intent of the scene.

Jesus, nobody is saying anything to get you to change your opinion. They are posting their own opinion in response, and in the process fostering discussion. What the fuck else is the point of a discussion thread on a show? I could have written the last sentence of your post about YOUR original post.

Aw, why?

He said a lot more of substance in his post than you have in your featureless and mean-spirited retort.

Well.

He was probably compelled not to do so. I thought Bonnie mentioned that briefly but I forget their initial exchange when she went to him to stop his heart. And not sure if there are humans left in town and the actual deed was in the Salvatore house. I suppose he could have driven to a neighboring town and hired a…

I think they acknowledged the female empowerment thing when Caroline made a crack about the feminist in her. I'm willing to give the damsel-in-distress stuff a pass for now as the reason for the kidnappings tied into the theme of a mother taking away her son's toys, but you are right that the show can't keep going…

They are one of the only things making me laugh. Their delivery is stereotypical, but they are actually smart characters, and the security officer is at least acting with agency and throwing the smackdown on the other characters.

So all those scenes of Darlene, FSociety members, Tyrell, and others interacting with Christian Slater, which we interpreted as disproving the hypothesis people that Mr. Robot was not real, were actually not real or were possibly Elliot hallucinating? Like that huge argument Darlene had with Christian Slater. Was…

When I cited a "lot of stuff," I was referring to all the ways in which Catelyn (and Robb) for that matter seemed major protagonists to me, doing things that were unrelated to other characters like Jon, until they were killed off. Their actions seemed to be the primary driving forces of the story to me.

I recall Catelyn and Robb's stories differently than you do, I guess. Catelyn in particular was doing a lot of stuff with Lysa, Robb Stark, Brienne, and Jaime Lannister. She had an arc of her own distinct from Jon's in my memory. I considered the Starks the major protagonists of the show until a certain point.

Have we forgotten Seasons 1 and 2, when those other characters were central to the story as well? The show spent a lot of time with Catelyn and Robb, and they were the most sympathetic characters for quite a while. Further, the show has only dropped indirect hints regarding the mystery of Jon's parentage, so to…

You could have said the same thing about the Starks and what happened to them at the Red Wedding. Their stories weren't rendered meaningless simply because they ended tragically. I don't believe Jon is completely dead but I don't think his "death" makes everything that has gone before meaningless. Jon has had a…