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James Donnelly
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This is probably the best anything ever that has to do with abortion. It's such a surreal experience and a stressful and sad one, but what's perhaps the strangest is how utterly banal it is in the clinical sense. It's not an experience one ever wants to have and I don't recommend it, but this was the most realistic

The "Thank you, places" moment was just… SO perfect in this show.

And the crowd SUCKED during their match. It was another example of how awful people are when they get something that's still awesome to watch, but they feel so fucking entitled that they get to whine about people working their asses off to entertain them.

No. Asshole of the night goes to the adult male asshole sitting right in front of me at the show who kept expecting and clamoring for Lesnar to come out and save Crews.

I honestly think that it's called "Great Balls of Fire" because of its sponsor being Rocket League (which is honestly a fucking great game) and that the balls explode when you score a goal. Other than that, I'm still at a loss.

Yeah, Jonathan Hensleigh admits to lifting a lot from different films and genres, and the film is not great at all, and a lot of that has to do with how the film changes mood and tone a few different times. Most of the film's violence is slow-burn and western noir-influenced, but then suddenly it's wacky Garth Ennis

First off, Ray Stevenson is a much more comic-accurate Punisher than Jane, Lundgren or even Bernthal. He's like a walking tank, and he's not a depressive, revenge-fueled anti-hero; he's a death sentence to pretty much anyone he comes across. The kills are way WAY more brutal and entertaining than in Jane's film.

In 12 months, Chris Pratt was on screen in two different films at his most effortlessly charming and his most super-obnoxious selves. Guess which film had which?

If you're one of those people who constantly laments the absence of originality in Hollywood but doesn't go see this film, a hearty "Fuck You" is what you deserve (aside from more Transformers sequels).

-Sam: “I can’t film you doing the hugging move for 20 minutes. What?”
Rhonda: “But what if your gimmick is hugging people?” Well then hope you stay in NXT and Vince
McMahon never gets a say in your character…

This episode is ALL about the plastic forks line. It's such a perfect encapsulation of Bash as a character that you almost don't need everything else from this episode.

I watched the first two episodes before bed last night and really enjoyed them, but the best takeaway I have from this review is that I'm so glad that you're reviewing this, LaToya. When I saw your name as the reviewer, I immediately thought, "here's someone who's going to get this show from pretty much every angle".

Never saw it. The only other Peter Berg film I've seen is LONE SURVIVOR and that's a pretty good film.

It's always a little cringe-worthy seeing Seann William Scott in anything, but their chemistry isn't awful and this is arguably him at his least annoying.

THE RUNDOWN is the real runner-up. ONG-BAK is horrifically acted and written, and if you're not skipping to the set pieces, you might be a masochist. But THE RUNDOWN was a real revelation from every standpoint. Seann William Scott wasn't AS annoying as usual, Dwayne solidified himself as a leading man with a real

He already did a modern version of HATEFUL EIGHT. It was called RESERVOIR DOGS; it's just not a Western.

Wow, you and I have very opposing views on THE LEFTOVERS. I felt that show was WAY too upsetting and ultra-depressing and stopped watching after the first season. I know it's great, but there are just reasons you don't get into shows. Having said that, this show seems to always have one finger clinging to a string of

That line about the uniforms is EVERYTHING in this episode.
That smash into the door frame was one of the most painful things I've EVER seen on TV.
The reunion of Moira and Luke made me sob uncontrollably.
I never trust Max Minghella in anything, and that includes this, but I finally want to.
Serena Joy and Aunt Lydia

For the first time since the Superstar Shakeup, I actually enjoyed an ep of SD. It's REALLY been suffering because they didn't seem to know what to do with the women, first and foremost, and second, they didn't know what to do with Orton, so they gave Jinder the belt. Now I've only been watching since post Summerslam

This was an episode clearly geared towards the IDGAF crowd, because when you see the incessant video packages hyping up Finn and 2 for Roman, and you're 14 minutes from the end of the show and then you get the main event that's interrupted before Sheasaro's entrance by this silliness re: Enzo and Cass and Show killing