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EgoDeath
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I've been replaying both No More Heroes, still interested in seeing what NMH3 would be like if ever released.

I can't wait until this bot gets into a feud with someone like Azealia Banks over usage of homophobic slurs or such. Until then, this is just an okay job, Internet.

I watched this religiously every Friday night when it aired on Cartoon Network before Adult Swim was a thing, this show seriously had an impact on the development of my humor and understanding of satire. I'll never forget that sequence with the car trying to tempt Moltar and then he started talking about that's why he

Soundtrack has really been on point for this show.

Oh good, I can finally mention how good that use of Run the Jewels was during Belinda's drunken stupor in "Gin".

All Our Base Are Belong to Vince?

Actually really dug this book and some of what it had to say about double standards dealing with gender and the media, I'll keep an eye on this.

So I picked up a copy of Heart of Thomas at the library the other day because the binding and artwork looked gorgeous and I generally trust Fantagraphics with the material they choose to release,reading the comments it's good to see that Moto Hagio's work is so strongly recommended.

I hope Lee's relationship with his wife is explored a bit more, it feels like there's definitely some interesting material there given his…extremely flamboyant nature along with the affirmation of this episode that he really does legitimately care for his wife.

The fetishization argument has always been an interesting one for me in regards to this album because I definitely see where it's coming from but since the album has been stated to be loosely based on the opera, Madame Butterfly, I've always wondered how much of it is Rivers and how much is for the overarching theme?

Cibo Matto's Viva La! Woman holds a special kind of charm and faux-kitsch that really captures that mid-90s feeling for me.

Started replaying Baten Kaitos last night because it's been over a decade since I last played it (never finished it but got through like 85% of it) and something made me want to go back to it. Definitely feels like a game that wouldn't be made now with how unique the battle system is.

"There are Wilco albums besides Yankee Hotel Foxtrot?" - Average Pitchfork Reader

I feel like the need to have characters be likable or easy to relate to is a common criticism specifically in American media (I'm not saying it's not a thing else well but I've not noticed the sentiment as much in criticisms of foreign works) that kills the idea of nuance in characters. I really don't feel like we're

Because the Internet to me just feels like the definition of emotionless "emotional" music. Shame because I really liked his style and wit during the Culdesac/EP era of releases for CH.

The point of this article and the reason the Top 100 is even brought up

It's a cliche answer but Badfinger's Baby Blue used in the finale of Breaking Bad always makes me think of Walter White when I hear that song on the radio now.

Yeah, Happy Gilmore is okay enough for what it is I guess but guys in my class loved to quote The Waterboy ceaselessly back when I was in 6th grade so I have a bit of a jerk reaction to anyone even vaguely praising that movie now due to overexposure.

I've had many an awkward moment with coworkers where they are shocked to find that even though like them I grew up in the 90s, I've never thought The Waterboy or Happy Gilmore were even remotely the pinnacle of comedy of the time.

Can we add Lord of the Flies to the list of school curriculum literature that hasn't necessarily aged well. I think the typical narrative about its universality in regards to the human condition falls fairly flat now.